Why We Hate: On So-Called “Black Racism”

“Just thinking about them makes me feel like I have swallowed shit.”

Howard Roundtree, Drylongso: A Self-Portrait of Black America

I remember sitting on a metro bus many years ago in DC and having two Ethiopian immigrants staring daggers of pure hatred into me. There seemed no rhyme or reason to their fathomless hatred, but of course, I knew what the reason was. I was African American; they were not. They were Ethiopians and like most of their ilk, they had picked up on the national prejudices towards African Americans. It was the same with the Salvadorans, Nicaraguans, Hondurans, Mexicans and other nationalities in Langley Park, Maryland. There was hardly a day in which one could walk out the door of one’s house and not hear your neighbors pointing, laughing, glowering at you—while making at least a half-dozen snide references to your color. It was always the same: negro, mono, mayate, blah blah blah, and often accompanied with a fat wad of spit or a beer bottle kicked your way.

Sometimes a mean and spite-ridden stare would suffice, or a bag or package hurriedly jerked away from you–as if you were going to steal it from them. And why wouldn’t you steal it? After all, your countrymen insisted to these hard-working immigrants, you were just a lazy, worthless “nigger” who got by on welfare handouts and food stamps, and spent your time getting drunk, or getting high, or chasing after other folks’ women.

But I wasn’t. I never did these things; never accepted a welfare check (as if that was such a bad thing, in and of itself), but try explaining that to these two dumpy characters near the Salvation Army depot in Langley Park. For these two, the mere sight of me and my face were enough to make them spit on the ground, and snarl, mono negro with absolute hate.

I felt a visceral hatred for these short, squalid sons-of-bitches, burnt to a crisp by the sun and looking as if they stunk of decades-old urine in their raggedy work clothes; I still hate them.

It was nothing new. That same year I needed to buy some headphones in Washington, DC. I entered a shop–well, I tried to enter the shop, but the white proprietor blocked me from entering. He glowered at me and said, “nope. Closed.” His shop indicated that its closing hours were at 8 pm; it was roughly 5:40. His attitude caught me completely off-guard; I guess I should have realized what kind of “society” I was still living in, that the pretense of DC’s racial and social integration was basically just that–a pretense.

Five years earlier, while working as a temp for the US government, I passed the White House on my way to work. The White House looked like a very dull, humble-looking residence in my eyes. A mother and her son passed me. The little boy, a dirty blonde sod, mutters without even looking my way, “I think I’m better than all of them put together.” The mother says, “you shouldn’t say that about Africans, sweetie.” The son countered with–and at this point, both of them looked at me with a kind of gleeful derision–“Niggers stink!!”

Nothing new in that, either. I remember white kids greeting me and my brother with disgusting taunts as we climbed through the jungle gyms of Wheaton Regional Park. I was only seven years old and yet I knew what “booga booga booga” meant; I heard it again, 25 years later in Bucharest, and again in Tunis in 2003. I’m sure there are African refugees who hear it all the time, no matter where they are in the world, even on the African continent–sometimes it seems as if most of the planet (thanks to social media) is morphing into Bensonhurst.

To this very day, I loathe them; I loathe every single one of these bastards who tried to shove me under the bus–or, to be more precise, into onrushing traffic–because of my race and ethnicity. I loathe every single one of those shopowners, students, truck drivers, flight attendants, pedestrians, escorts, grocers, club bouncers, editors, waiters, landlords, and above all, cops and security officers. I hated to see their twisted, smug faces, proudly ensconced in their newly acquired Yankee prejudices; it made me want to puke. Actually, to be honest, it made me want to grab a shotgun and blow their heads off.

If I could get away with it, I used to think to myself, I would do it without even asking why. In college I was dangerously close to picking up a gun. There’s no need to ask “why” when your back is up against the wall. One would be stupid not to despise one’s own tormentors and persecutors. One is not supposed to “love” insults, degradation and humiliation; it just ain’t natural.

We can die from them. Like choked by underbrush, heavy

weeds. We see him.

Pull the election lever, and men die in Greystone, elec­

trocuted, or are

beat to death on the comers of dirty cities. By heroes. These

are the

killers’ heroes. Wd that they were our own. And not the

mad races killing

We have a nigger in a cape and cloak. Flying above the

shacks and whores.

He has just won an election. A wop is his godfather. Praise

Wop from whom

all blessings flow. The nigger edges sidewise in the light

breeze, his fingers

scraping nervously in his palms. He has had visions. With

commercials. Change

rattles in his pockets. He is high up. Look, he signals. Turns,

backup, for

cheers. He swoops. The Wop is waving. Wave Wop. 

Leroi Jones (Amiri Baraka), ELECTION DAY (Newark, New Jersey)

*

Everyone in my family hated “crackers,” whether they admitted to it or not. My great-great-great-grandmother, Virginia Brown, naturally did not love “serving” her “master”–a loathsome creep who literally spit on her in disgust. I’m sure far worse things had happened to her on that old Virginia plantation 165 years ago. However Grandma “Jenny” was not one to take an insult from a redneck lying down–not even if said redneck owned her. Later that evening she plotted to bash his bloody brains in and wound up doing just that…only to wind up on the gallows. Only a last-minute decision to sell Grandma to another master kept her alive. In the end, she fled the plantation–either for a maroon community or up North; we aren’t so sure what happened, but she did not stick around to serve another master.

Of course, most of us in the family weren’t quite so bold in dealing with the crackers. We simply smiled in their faces and lied to them and said otherwise, out of fear of job loss or beatings or worse. My great-grandfather was forced into the Army in 1917 (after giving birth to his first-born child, my grandmother). Upon signing up to fight in France on behalf of Uncle Sham, he stated his identity as “African”–no “negro” or “colored” or “coon” for him. As for that redneck who shanghaied him–and whom I’d met as a child many, many years later–I have no idea how Papa Phil felt about him, but I know good and goddamn well that he did not love the bastard.

I have no idea how my father felt when he saw his uncle lynched in Key West, Florida around 1936. Dad wasn’t quite eleven years old when it took place. I have no idea if this lynching was even recorded. But I’m sure my father didn’t love his uncle’s killers. I was not inside his head as he sat in that mess hall in Arizona in 1944, watching German POWs eating alongside white American soldiers, hoping they would leave enough food left over for his “colored” regiment. (One can see here how he and his “colored” regiment were seen in the eyes of their countrymen.) I do know that my father was not overjoyed to be called “Señor Stovepipe” by one of the professors at Harvard University. (My father was doing post-Graduate research work at Harvard in the late Seventies.) He most certainly did not invite that motherfucker over to our house for dinner.

I know goddamn well my mother was not pleased to work as a domestic for rich white trash back in the early fifties, and certainly not tickled to death to be served her meals in a fucking cat dish. She told me so. Some of her white employers, of course, weren’t entirely “trash”: some were quite benevolent and kind and thoughtful in dealing with her, and even encouraged her to continue her education at Virginia Union University. Yet when the Brown vs. Board of Education decision struck down school segregation in May of 1954, her kind and thoughtful employers wept copious tears as they read the headlines.

We hated them with the same passion as we hated the fucking redneck swine that threw rocks at our house in Adelphi, Maryland and made monkey noises at us. We hated the bastards who sicked a German shepherd on us at an Indiana gas station back in 1962. We hated the Cambodian immigrant workers at a Seven-Eleven in 1982 who treated us worse than any redneck would have dreamed of doing. We felt that White men coddled these “immigrants,” not because he liked them, but because he felt he could use them to further his own politically perverted agenda. The same way he used the Koreans, whom we saw popping up in black neighborhoods sometime in the late seventies and early eighties, and whom we quickly learned to despise. The Koreans–along with the Salvadorans, the Nicaraguans, the Vietnamese, the Syrians, the Nigerians, the Israelis, the Ethiopians and Haitians–in turn, began to despise us.

I didn’t consider myself a “racist,” and had no problems in dealing with anyone who didn’t hate me for who I was. But folks like this were as rare as hen’s teeth. All I remember was the glassy, snide, passive-aggressive contempt I received from Washingtonians who weren’t Black like me. I remembered being alone, broke, raggedy and cut out of every social circle imaginable. I didn’t like anybody in that shitty town. I didn’t like the “gooks,” “spics,” “hymies,” “Ay-rabs” and I definitely didn’t like “The Honky.” They didn’t like us, either, on principle–the principle being that “niggers” are inferior.

“I think it is a kind of suicide to like anything that hates you. If we are the only people who really want to be Americans, what is the point?” –Harriet Jones, Drylongso: A Self-Portrait of Black America

Back in the late 80s I spent most of my time in DC on Howard University’s campus. I wasn’t scared of dealing with downtown DC, I simply didn’t want to be bothered. Frankly, I found it a boring, overly conservative, sterile, sad little cow town, ringed with Victorian brownstones and shot through with gang violence. (DC’s homicide rates at that time–say, 1988-1992–were a ghastly joke.) At Howard, between classes, I barricaded myself in the lower recesses of the Undergraduate Library or the Founders Library. It had very, very little to do with shyness or any latent Asperger’s Syndrome and more to do with–well, my simply not wanting to be bothered. James Baldwin once said that a black man simply cannot go through life covered in the world’s spit. Of course, that’s true. But for me, sadly, much of that spit–while a student at Howard–came from my own people.

The Black Bourgeoisie treated me worse than any “hymie” or “spic” or “gook” ever did. The kind of trash I heard from random white and Latino louts in Maryland and DC I heard on Howard’s campus on a daily basis. I endured five and a half years under their hostile gaze, sticking it out to secure the education I felt I needed to get ahead in American society. But from today’s vantage point, I wonder if it was really worth it. No “chink” threatened to kill me while eating in the Howard U. cafeteria; “spic” girls did not laugh in my face when I tried to talk to them (they simply ignored me altogether) nor did “da Jooz” throw rocks at me, throw their coffee at me, spit at my feet, cheat me out of passing grades, or slam clipboards (or malt liquor bottles) upside my head. (They didn’t threaten to rape me, either.) In all fairness, some Korean deli owners did threaten to call the cops on me for letting them know they’d cheated me out of fifteen cents!

But I didn’t have to shop at Korean delis if I didn’t want to. With Howard I had no choice but to stick it out if I wanted a degree. I wonder if my reception would have been less hostile had I transferred to University of Maryland—not because the school was free of racism (a laughable thought, knowing what I knew about the State of Maryland) but because I would not be a target of self-loathing upper-middle-class negroes who saw me as their own personal punching bag. Seen in retrospect, I guess I should have dropped out and spared myself their misguided judgments—my skin not being dark enough or not being light enough; my hair being too long, too short, or too fucking nappy; my clothes not being flashy enough; my being too short or too tall; my not being muscular enough, not wearing the proper watch, not wearing the proper shoes or speaking in the proper accent, or what the fuck have you. Something was always wrong with me, in their eyes. It took quite a few years (and a novel about it) to realize that there wasn’t a damned thing wrong with me, save for my refusal to accept Howard’s childish definitions of what a “Strong Black Man” was supposed to be like. As a friend once told me in Howard’s cafeteria, many years ago, “you know what your problem is on this campus, Phil? Everybody up here is trying to get with the program. But you”—and he pointed to me with a laugh, half-derisively, “just want to be you. That’s not right.”

But I was right. What the hell is so goddamn wrong about wanting to be you?

Philip Lewis is just one Black schmuck among 43 million. This crap happens all the time in America (and elsewhere) if you’re Black. Of course you can just lie about it and pretend they are just illusions, that life is just “tough” and one needs to just get on with the dirty business of surviving in the American (read: World®) jungle. I can just hear the Booker T. type negroes now babbling in the background. Stop feeling sorry for yourself. Step your game up. Go back to school. Keep your head to the sky and your eyes on the prize. Oh, yes, sweetie-pie. Nobody likes a “butt-hurt Negro.”

And yet once you get that “prize”–the cushy job, fat salary, house in the suburbs (or a condo or loft), fly girlfriend/wife/boyfriend/husband, bad-ass car and every goddamned thing that goes along with it–you will soon realize how sour those grapes are. It is only a matter of time before the veneer of “success” begins to peel off and you are left with the bare bones of your raw feelings. You begin to wonder if “The Struggle” to get all that stuff was worth it. It wasn’t worth it. Especially when you find yourself being harangued by neighbors for having a barbeque (when your fellow white neighbors aren’t). Especially when you find yourself being told to leave a restaurant (when your fellow white diners aren’t). Especially when you find your face on the ground in a pool of your own blood for having been in the wrong place at the wrong time, and your white friends are standing around, wondering what the fuck just transpired. Hustle-porn sucks; it’s bad for your mental and physical health.

The sheer hatred you feel for everyone around you, especially for people who aren’t Black, is still there; it merely went into hiding for the time being. Your education and your wealth will not shield you from the world’s contempt. Neither does your popularity nor your sex appeal, nor your feelings of good will towards your fellow human beings. You can still be a Bakari Henderson and have a bunch of Balkans beat you senseless on some god-forsaken Greek island. You can be Phil Henderson and have a junkie punch a hole in your mouth right outside your own fucking doorstep, right here in Berlin, and have the cops make light of your injury. You realize that deep down, you never really liked living in this disgusting sham of a “Western” civilization; furthermore, it never liked you. The hatred is mutual. You’re just fooling yourself. The entirety of our contemporary civilization—morally speaking—is predicated upon hatred. Economically speaking, it’s built on highway robbery; politically, it’s predicated on murder.

You want to be nice, you want to be liked, even respected (the hardest thing of all to achieve in a “civilization” that views you as a beast), and yet you realize in the end that even in the eyes of your loved ones, you’re just…well, Black. You’re not supposed to be as smart as everyone else and certainly not smarter than everyone else. And when you insist upon being just as smart or smarter the subtle ostracism begins; you want to believe that it’s all an illusion, that maybe it really is just you; you’re the one at fault here.

Of course, you are at fault in a sense–you’re at fault for not abiding by the world’s expectations of what a Negro should be. These expectations are, by any moral standard, completely unacceptable.

“…I wanted to get away; I wanted to leave Cleveland and Ohio and all the United States of America and go somewhere I could escape the thought of my parents and my brother, somewhere black people weren’t considered the shit of the earth. It took me forty years to discover that such a place does not exist.”

–Chester Himes, The Quality of Hurt

And then the nation at large wonders why a certain segment of Black America is full of hate. There’s nothing to like about our predicament. Idiotic celebrities like Kanye West, Beyonce, Lil Wayne and their ridiculous lot don’t count; they are simply the minor details in a long, ugly, bloody story–the story of our fucking captivity. America spends billions of dollars a year spewing out Negrophobic propaganda worldwide (much of it masquerading as “entertainment” and “crime statistics”) and yet Americans feign surprise when “darkies” like me say I don’t like you. Americans are surprised because–to be perfectly honest–they refuse to see African Americans as human beings.

“And how are we supposed to feel about all of this? Well, fine of course,” writes mauludSADIQ on Medium.com. Of the late Michael Brown, SADIQ writes, “(He) was vilified… He had marijuana socks. He stole cigarillos. He cursed at the officer. The same newspapers and magazines and blogs that looked for all the possible humanly things that could have pushed poor James Holmes (mass murderer of 12) over the edge, dedicated an equal amount of pages to the ‘dark, criminal past’ of Michael Brown.”

Oh, yes. We are supposed to feel “cool” after our mothers, fathers,  brothers or sisters or aunts or husbands or wives are randomly gunned down by some fucking lunatic Negrophobe. We are supposed to feel somehow “spiritually enriched,” or take some sort of bullshit “philosophical” attitude after enduring tons of abuse at the hands of the American (read: global) power structure. America routinely robs you of your humanity and if you, the “darky,” don’t bow your head and meekly smile, then you’re an aggressive ape. According to whites and whitified non-whites, of course. “Because,” SADIQ writes, “The reality is — like Isma’il Latif has often pointed out, our role for white people is to entertain them, cheerfully. Anything beyond that…is seen as aggression.”

White Westerners (and their flunkies) view it as “aggression.” Others on this planet who have suffered similar oppression see otherwise. “They tell us we are making Spring,” writes Ghania Mouffok, an Algerian writer. “But you say we’re making war. A Tunisian friend of mine said to me, ‘they treat us like dogs and they’re surprised when we turn into wolves.”*

No, the slavery never ended; it merely shape-shifted into newer forms more pleasing to the eye and senses. In this new slavery one could become a billionaire like Oprah or Bill Cosby, or even a President like Barack Obama, and yet still find yourself vilified and boxed in whenever you refused to conform to white expectations of what a “good nigra” is supposed to be. Bill Cosby was foolish enough to believe that he could get away with the kind of shit that Roman Polanski got away with. Oprah was foolish enough to believe that her hundreds of millions (and her US passport) would shield her from the humiliation she received at a high-end Swiss boutique; apparently “negers” don’t by 40,000 euro purses. Obama was foolish enough to believe that being the President of the United States was sufficient unto itself. It wasn’t. (Ever heard of Leon Blum?)

Perceptions? Well, what do you think? “And it is this perception that Black people have to deal with on a day to day basis. And it is this perception that leaves so many unarmed Black people dead at the hand of fearful officers. Until we deal with that perception, nothing will change.”

The “perception,” simply put, is that the African is not a human being. This is the perception of the very people who control the entirety of the United States of America. Don Donnie has already made his “perceptions” perfectly clear, as has CNN, Fox News and all the other international US propaganda machines. It is inconceivably bad, and has been for untold decades.¹ When America tells the black person to “calm down,” it’s as if they were addressing some entity not quite animal, not quite human—three-fifths of a human being, according to their dear Constitution.

No, we don’t like you. We don’t have to like you, let alone love you. Yes, many of us have turned into wolves as a result of this blind hatred and gleefully cannibalized each other–like Ms. Mouffok suggested, we shit where we eat; many of us act like monkeys, pantomiming the very same fantasy of the savage ape that our masters imposed upon us–as if, in pushing against the walls and bars that hem us in, we merely strengthen these same walls; the more idiotic among us have come to enjoy this obscene captivity, some going so far as to call it Paradise.

Yeah, such a thing really is possible in this neo-liberal bizarro world we live in. It was certainly possible under Keynesian capitalism and God forbid, even under the bullshit mercantile capitalism that existed in the Old South before the Civil War–where even Negroes could own other Negroes provided they had their fucking “free papers” and a bit of cash to spare (and the “right” complexion).

I don’t love you. Who is to say what that will mean. I don’t

Love you, expressed the train, moves, and uptown days later

We look up and breathe much easier

I don’t love you

Amiri Baraka, The Autobiography of LeRoi Jones

For some strange reason some of us still do actually love Uncle Sam (I’m not one of them, however), since there is such a thing called Stockholm Syndrome. There is also a thing called “gaslighting” and “narcissistic parenting.” I bring up the latter because white America interacts with every single one of her “minority groups” the same way a narcissistic parent would interact with her children. The parent plays favorites with her children, lives her pathetic life through them, picks a golden child (in the case of America, this “golden child” would be christened a “model minority”) to use as a yardstick against her other siblings; and naturally there is that one child who is raised while the others are spoiled. The one child who is treated like garbage, who is “gaslighted” from the cradle, and made to bear the burden of the whole family’s sins, is– of course–the little Pickaninny.

————————————————————————————-

*As a side note: “white” Tunisians are notorious for their shitty treatment of “black” Tunisians; in fact, they “treat them like dogs”.

¹When the late John A. Williams visited Haifa in 1967, he noted that so-called “Arab leaders” in Haifa were “far readier to discuss American Negroes and their ‘high crime rate’ than they were their own situation”. (Williams, John A. Flashbacks, Anchor/Doubleday, 1973)

The Caucasian Kakistocracy, Revisited

PART TWO OF TWO

In the months since I posted Part One of this article, a long string of infuriating race-related incidents have occurred–all of which merely reinforce everything that I’ve written about this so-called “Caucasian Aristocracy.”

Less than 24 hours ago the New York Supreme Court dropped one of six charges against super-predator Hollywood mogul Harvey Weinstein. While not ostensibly race-related, Weinstein’s acquittal on just this one charge speaks volumes in itself. It comes directly on the heels of the confirmation and beatification of Brett Kavanaugh (misogynist, ex-frat boy and hard rightist, to whom David Duke gushed, “Thank God you are now on the Supreme Court!”), the revelations that Trump helped his parents evade millions of taxes (not to mention his own sex scandals with Stormy Daniels and other shady ladies), and the rehiring of Timothy Loehmann–the cop who killed 12-year old Tamir Rice in 2014–in Bellaire, Ohio. Georgia lawmaker Jason Spencer (no relation to Richard, though one would think otherwise) literally shows his fat white ass to the world on Sacha Baron Cohen’s This is America (indeed!), screaming “nigger!” at the top of his lungs, making “ching-chong” noises and sucking on a dildo. Jason Spencer was elected to the Georgia House of Representatives in 2010 on the Republican ticket; his fat ass is still there, probably still shouting “nigger” and still pulling his eyes back in the presence of Asians. (At least in private.)

And in the meantime, Bill Cosby is serving three to ten years in prison. This is not to gloss over Cosby showing his own ass decades ago, when he hypocritically dismissed Huey Newton as “nothing more than a thug” and a “hoodlum”; when he made a name for himself playing a spy on TV (at the height of the Black Power movement), and later went on to become “America’s Dad” while privately dropping Quaaludes in ugly women’s drinks and lecturing the most exploited class of people in America–the black underclass–about not speaking English, not pulling up their pants and getting shot over ninety-cent slices of stale pound cake.

Bill Cosby’s actions perfectly personified the uselessness and moral bankruptcy of America’s Black Elite. He sat on a fortune close to a billion dollars while millions of blacks nationwide had to steal to pay their rent, or even get their next meal. So it’s not a matter of shedding tears for Billy-Boy being locked up. That’s not the point. The point is that Billy-Boy, far wealthier than Harvey Weinstein could ever hope to be, is sitting in a jail cell while Harvey, Roy Moore, Donald Trump, Tim Loehmann, Roman Polanski and above all that little turd George Zimmerman are not. That’s because Billy-Boy’s billion doesn’t add up to much when his skin ain’t white.

Further down the food chain, the outlook for those outside the Aristocracy looks far bleaker. The Aristocracy feels (perhaps rightly so) that it is under assault from the dirty, unwashed, unwhite masses of the world (especially the black ones), so it is pushing back against them post-Reconstruction style. This Kakistocracy loves playing victim even with an assault rifle in its hands. Down on the very bottom of the American totem pole, the Afro-American has become a veritable moving target. The days of the African Dodger are back; only this time, they don’t need to put your head in a canvas and throw rocks at your head; they simply call the cops. Nekia Jones of Columbus, Ohio, for instance, has been locked up for nonpayment of child support–Ms. Jones is childless. Delta Airlines, a cracker concern, has shown its collective ass again in several appalling incidents (generally involving black women), one resulting in a passenger’s baggage being damaged in flight by incompetent baggage-handlers. (The passenger had the police called on her by a fascist staff member on the lower rung of the Kakistocratic food chain. The fascist’s excuse–like the one used by the soft Gestapo in Berlin at KFC–was that the unnamed woman was filming her.) A day ago, yet another Southern (Georgia) white woman calls the police on a black man babysitting his white friends’ children; Pool Patty, Permit Patty, Permit BettyBarbecue Becky, and their male equivalent “Permit Model”–some sexually insecure schmuck who couldn’t bear to see a black model in a photo shoot–have sent a collective message to those on the bottom of the global racial hierarchy: anything you do–even if it is so much as reading a fucking book–is a threat to our well-being.

No–scratch that. To the white Kakistocrat, merely being alive as a black (or brown or red) person is a threat to one’s well-being.

jennifer-schulte-bbq-becky
Jennifer Schulte, aka Barbecue Becky: Patriarch with a Pussy

It’s noteworthy that the overwhelming majority of racist calls have come from white women. No one should be surprised that this is so. These same poor white women, who wrung their hands and howled like banshees over the “sexual misconduct” of Harvey, Billy-Boy, Al Franken, Bill O’Riley, Sean Hannity, Donald Trump, Kevin Spacey and other men have never been opposed to The Patriarchy (or The Capitalist Kakistocracy, which is what it really is) except in theory. In practice, we clearly see that their hijacking of #MeToo (from a black woman dog-whistling at the Kakistocracy in the vain hope that their system would round up black male perverts) was, and still is, a clumsy power-grab on their part. Grabbing for what? The desks, round-tables, and cushy positions of the same “Patriarchy” they pretended to despise. They don’t hate the male chauvinist white Aristocracy; they simply want to run it for themselves. They are the female equivalent of those slimy, ethically bankrupt Third World elites who moved into the same comfy positions of power left behind by the British, French and Spanish after the colonizers left Africa.

Nawal el Saadawi, Egyptian novelist and activist, was perfectly on point when she described Theresa May and Hillary Clinton as being “even more patriarchal than men.” She forgot about Angela Merkel but then again, one gets the point. At the rate everything is going politically in the world today the Kakistocracy will continue for the foreseeable future. Not because this disgusting class is impregnable, but because this class finds it so easy to dangle 95% of humanity on puppet strings. No one outside the Kakistocracy is even thinking of resisting the bullshit. White women, negresses such as Candace Owens, Michelle Malkin and Jannine Piro (a sand Negress), reactionary boy-toys like Paris Dennard and Milo Yiannopoulous and super-spades like Kanye West, David Clarke and Jesse Lee Peterson will be our future gauleiters–reactionary buffoons whose main job is to vainly patch up the cracks in a rapidly disintegrating Western civilization.

Down the Totem Pole

The further you go down the American totem pole the darker people get, the vaguer their faces become, until they are all one dark mass on the very bottom. That dark mass supports the weight of the kakistocracy; it functions as a kind of cornerstone-slash-slop jar. We can be cute and call it “Da Hood” but everyone in the society (including other blacks) understand it to be That Other Place–Niggertown†.

Whatever it is, it is not America–not really. Not as the White Aristocrat defines America. I completely reject everything the White Aristocrat defines as America or as American, but that’s not the point. The point is that in his eyes, and in the eyes of everyone who sees the world through his eyes, Niggertown is America’s toilet. Niggertown represents (to him) a negation of all great Western values and morals–even though Niggertown is entirely the creation of white Western culture.

Ironic, yes. This Niggertown, this Black Slopjar is “dirty,” “evil,” “smelly,” “ape-infested,” but at the same time “we,” the White Aristocracy, desperately need this Black Slopjar. In a moral sense, we need “Niggertown” in order to define ourselves in opposition to it; without it, our existence (as White Aristocrats) makes no sense. It’s true that (in our minds) the high moral standards that “we whites” think we are setting for ourselves don’t apply there since Niggertown is (supposedly) the absolute moral opposite of “America.” But that is part of the fun. The society we have constructed for ourselves is simply too “white”; there’s no “passion” in it, no color, no adventure, no sensuality. So what do we do if we can’t go to Thailand? Go to Niggertown. Da Hood is not only America’s Inferno, it’s also America’s whorehouse, the place where “we” go slumming and let down our hair. It’s the place where “we” buy our drugs, our pussy, the joint where we indulge our sense of white privilege to the hilt since in Niggertown, we can’t be held accountable for what we do since we are never really guilty: only the “Niggers” are truly guilty.

Please note that Niggertown is as much a state of mind as it is a place. So if you are too afraid to go to West Baltimore in the flesh, you can blast Tupac or Drake from your car stereo and sag your fucking pants or even slap on blackface if you so wish. You can host a Mandingo party or pick up random “Niggers” in clubs and suck them off (or have them suck you off) in the toilet. What happens in Niggertown stays in Niggertown.

In this regard, talk of “Black Irresponsibility” is not only foolish and idle, but obscene.¹We all know that before “White” there was no “Black,” that the creation of “Negroes” or “Niggers” or “Blacks” required not merely the creation of White but the conditions under which white would flourish and “Black” would languish. As a side note, it’s worth noting that the Brazilian term for “Big Nigger,” negao, also means “negative” in Portuguese. I can’t tell you if that was a deliberate choice of wording but it is obvious that Black “irresponsibility” is but a negative reflection, an “Afro-pantomime” of the White Kakistocracy. All values within that system have their origins with the founders of that system; those in “Da Hood” may make some adjustments to those values in order to adapt those values to their own needs, but in essence they are the same.

A rotten, despicable, worthless society predicated entirely upon the notion that having white skin (and being rich) makes you a blameless saint in the eyes of most, whilst being the opposite makes you the devil. A black man’s worth increases in this society only if he comes closer to what white society deems its ideal…and yet, if this same black man were to truly become “white male” in every sense of the ideal save for his complexion, he would be tossed in jail.

Black women with braids and Afro-styled hair are weird or outre whereas a white woman who thoughtlessly appropriates these same styles (and wrongly, I might add) is “stylish” and “cutting edge.” We routinely see how white women appropriate, use and rip-off black, brown, red and yellow women, and use them as the battering rams to force their way to the top of the American food chain. #MeToo, the anti-Gun march: all sentimental, idiotic pie-eyed displays of the worst American puritan knee-jerk hysteria surrounding sex.

Every white woman who imagines she was felt up by Woody Allen or Woody Woodpecker or Mickey Mouse comes out with some wretched story about how she was abused, and the whole world stands up to applaud it. And when the Native American woman details how she and her sisters were raped or murdered at the hands of the American police or other men (including their own), one hears crickets. Thousands of black women have disappeared in the DC area alone over the past 10 years, and not a single soul has bothered to come forward to ask of their whereabouts. African women are routinely trafficked into sex slavery in Europe, along with Balkan, Romanian and South-East Asian women. Sri Lankan, Filipino and Ethiopian women are routinely raped, beaten and worked to death by Gulf Arab or Lebanese employers. (Many of these employers are other females.) Just recently a Kenyan woman was beaten senseless in the streets of Beirut by two Lebanese hoodlums. There is no fucking hashtag movement to highlight the plight of these particular women, and if there is it definitely gets set on the back-burner behind the outrage over Bill Cosby, Harvey Weinstein or Al Franken’s cute hijinks.

This is not merely because Thai prostitutes or Ethiopian maids are not “beautiful people” like Lady Gaga or Kylie Jenner or some other played up megastar, but because they are not white.

Their whiteness also blinds them to their own historical demise. In every sense of the word Western culture is nonexistent outside of the Louvre or some National Gallery of Art. Contemporary Western architecture–and this goes for everything being constructed elsewhere in the world–is hideous. Enormous glass cages which stretch for miles and miles around, filled with mindless drones parked behind cubicles or stuck in some hideous plastic condo. In the Italian Renaissance, a major building was generally conceived as a thing of beauty, nobility and grandeur. Today, everything–the architecture included–has an expiration date. Today no architect anywhere in the world (since they are all blindly following the White lead) would even dream of constructing a Sistine Chapel or an Alhambra or a Taj Mahal or a Machu Picchu or anything comparable to the splendors of Luxor or Karnak or Kilwa.

Why? Because White Supremacy–the ideology of the Cacistocracy–is strictly utilitarian, one that only function in opposition to whatever it deems threatening–even if that thing is Beauty itself.

Even their contemporary music is ugly. No more Beethovens, Mahlers or Janaceks can be found among them, unless they are hiding away in some attic in Lisbon or Lviv. Their “white” novels are solipsistic, pretentious masturbation. Academia, especially in the United States, is falling by the wayside. National infrastructures are crumbling, and not merely because everything is put into the American war machine. America’s infrastructures crumble because those responsible for maintaining these infrastructures are far more interested in laying about in Mar-a-lago or some God-forsaken Caribbean island stuffing adolescent girls or boys and basking in–what else?–their insufferable sense of being (once again) white.²

“Five centuries of colonialism, capitalism and nationalism have turned Europeans into the enemy of the human kind,” Franco Berardi fumed last year, in response to reports of mass migrant deaths in the Mediterranean, slave-dealing in Libya and the surge of moronic, right-wing Western populism. “May they (Europeans) be cursed forever! May Europeans be swept away by the storm they have generated, by the weapons they are building, by the fire they have ignited, by the hatred they have cultivated!”

Bifo Berardi’s words ignited, as they say, a “storm of controversy”; some folks considered him a bit mad. But when one sees Europeans–and by extension, white Westerners and their perennial flunkies–within the context of a decaying, bloated, self-satisfied Kakistocracy, then his words make perfect sense. There can be no democracy, let alone Socialism, in a planet dominated by racist white aristocrats and their colored court jesters. 

___________________________________________

†Niggertown wasn’t created by “Niggers” but by systematic “red-lining” (translated into English, it means setting up special residential areas for “Niggers” so whites can control their movements, their wallets, their culture, their minds, etc. In other words, a fucking township, or a reservation). There was also mental redlining. American music was once redlined on record labels (known as “race records” or “Sepia Series”). The African American was and is redlined in novels, plays, newspaper articles, and movies: restricted to being portrayed as an idiot, a whore, a mammy, a suck-up, a shiftless ne’er-do-well, a criminal, a thug, a “problem”; playing out the same tired, hackneyed roles that the Euro-American crafted for him, roles that revealed nothing of the Black actor’s true personality but merely those buried instincts (what Freud called the ID) that the good white aristocrat could not act out in polite white society. Hence, the minstrel show, Al Jolson, Elvis Presley, Satchmo (as opposed to Louis Armstrong), Stepinfetchit, Drake, Eminem and all the rest. Hence “Ebonics,” which is what white society has made of Black English–a language that Afro-Americans constructed in order to define the world on their terms and not that of the white aristocrats.

¹”Everything is ‘white genocide’ because they can only operate without challenges. Unless the deck is stacked against everyone else they literally cannot keep up with the other ethnic groups, ESPECIALLY not against blacks. While every other group was building civilizations, kingdoms, and empires white people literally were in caves. That is a scientific fact. This went on for several thousand years. Hell even the Mesoamericans had the Mayan empire before whites created their first settlement. There is no such thing as ‘white supremacy’, they aren’t supreme. If they were they could win at equal footing and history shows THEY. NEVER. HAVE. AND. NEVER. WILL. There is only white psychosis and white tyranny and they’re starting to see their failings and so the ‘white genocide’ excuse surfaced again, which they used several times through human history.” —

comment from “HaveYouEverDancedWithTheDevilInThePaleMoonLight”

²And what’s the whole point of the war machine, anyway? For the ultimate showdown between Western Whiteness and the Third World (namely, the Middle East, Latin America, Asia, Africa and perhaps Russia, if only because Russia and China are the two major stumbling blocks between Uncle Sam and absolute global hegemony).

The Caucasian Kakistocracy (1)

Or: Being White as an Alibi to Fuck Around

Part One of Two

Former CIA director John O. Brennan brought up a strange word when referencing the Mr. Magoo-like incompetence of the Trump Administration. “Your kakistocracy is collapsing after its lamentable journey,” Brennan tweeted to the Orange Orangutan. It was far, far from being the first time the word was brought up; it had been referenced several times over the past three centuries, even in reference to McClownald. So what the hell is a kakistocracy, then?

Me being the guy I am, I’m tempted to conflate “kak-” with “cauc” or “cac.” You can call it “racist” if you feel like it. It is not racist ressentiment on my part, simply calling a spade a spade–or if you want to go there, a honky a honky. So-called “White” people have no reason to whine about it because in actual fact, any thinking “White” person really should not consider themselves “White” in the first place. You are a European or Mediterranean or Asian. Yeah, I know it’s a force of habit, just like calling yourself “Black” when your skin is really golden brown or mahogany. But all of this is beside the point. The real point is: what the hell is a kakistocracy?

A random Googling of the term brings up “a system of government which is run by the worst, least qualified, or most unscrupulous citizens”. One can go further and say that a kakistocracy is an entire civilization and culture run by the worst, least qualified, and most unscrupulous, perverted, inept, vulgar, meretricious, ignorant, lazy, uncreative and just plain fucking stupid people.

Sorry to burst your bubbles, but this is exactly what we are living in at this very moment. It is idle to say that the bullshit began with Trump, or Dubya, or even Warren G. Harding. Most of the world has been living under a Caucasian kakistocracy for the past five centuries.

We all know that Europeans and their descendants consider themselves “White,” which is really not the same thing as being Caucasian, since so-called “white” skin (which can range from pale rose to a yellowish-brown olive) in and of itself carries no deep meaning; like other shades of skin tones it’s just a color. So just as rosy skin doesn’t make you some fucking holy man (as if that ubiquitous portrait of Cesare Borgia that we see hanging everywhere was really Jesus Himself), it also doesn’t make you The Devil. It’s not in your genes, in other words–it’s in your head. The rest is solipsism.

In fact the very notion of “Whiteness” itself is profoundly solipsistic–no, scratch that. It is idiotic. We have gone over this road before and so there is no point in wasting too many words about it. Centuries and centuries of racialist fantasies, starting with their Near-Eastern and Mediterranean origins and climaxing with the racist autism of Adolf Hitler, the alt-Right and Jared Taylor, there was and is nothing progressive about being “White,” just as there really isn’t anything progressive about being “Black,” believe it or not. The significance of Blackness makes sense only in opposition to the significance of Whiteness. Black (that is, Africanness) was not considered “sinful” or “ugly” or “evil” or “deformed” until the appearance of White. (This explains why pro-Black, pork-chop cultural nationalism always winds up eating its own tail, for any attempt to find significance in a degraded condition created by the White oppressor himself–since Black is a condition created by the colonizer, not by the African, Aboriginal or Dravidian Indian–ends in total failure.)

“White” (as we all know or should know) came into existence in the West purely as a reactionary and exclusionary identity against the entirety of the non-white, non-Aryan human race. “White” is the ultimate caste system, one that trumps all other social, economic, political and intellectual concerns. If some toothless old redneck showed up to use the bathroom at a Starbucks in Portland or Philadelphia, the barista would not bat an eyelash–there would be no question of him having the honor of using one of their beloved toilets. The same rule naturally does not apply to a black lawyer or perhaps even the black ex-president of the United States. After all, both are Black, with a capital B. So automatically the toothless redneck stinking of piss and unwashed ass trumps the well-scrubbed and well-healed black upper-middle-class gentleman–or Barack Obama.

The real meaning of what happened at Starbucks a few weeks ago, or the meaning of what happened to the Hart Family some months ago, or what happened when Nikolas Cruz strode into a Florida high school some weeks before and shot up 17 students, or when Stephen Paddock butchered over 50 people in Las Vegas, or when some scumbag, Mr. Affluenza himself–Ethan Couch–was spared prison even after having committed murder, flew over the heads of most people–even so-called “Black” people. The real meaning was perfectly clear to me, however.  The white race, in America, as a whole functions as a kakistocracy, made up of irresponsible, clueless schmucks who feel that having rosy skin places them above reproach.

So you have a “white” skin, so-called? Great. You’re in safe hands, sort of. “You are rich because you are white,” Fanon has written, “and you are white because you are rich.” Full stop–nothing else really matters. Never mind the old adage that “with great power, comes great responsibility”–the Caucasian Kakistocracy doesn’t give a shit about “responsibility” and never has. The old elite of Europe, before it had fully formulated its notions of racial superiority and inferiority*, showed little responsibility to most members of their own race–this, prior to Portuguese colonialism or even The Crusades. Truthfully, the old European elite viewed themselves as being of a different race than those they held in serfdom throughout the European continent. (Surprisingly, the same holds true today to a limited extent–especially in Italy, and above all in Naples, where the Neapolitan elite views the street-level white Neapolitan as a mau mau.“)

Worldwide colonialism changed all that. Now the old European peasants are part of a larger global Kakistocracy by virtue of having a precious “white” skin. A “white” man from Romania may be nothing in Italy but that will change the moment he lands in Burkina Faso or South Africa, or even the United States. In a bourgeois society (which of course includes so-called “Communist” and “socialist” societies such as North Korea, Cuba, China and Venezuela) everyone not in the elite bourgie class strives (to some extent) to emulate the values, mores and prejudices of the bourgie class. The bourgie class is “White,” of course. (This naturally explains why every attempt on the part of Western societies to implement “multiculturalism” has resulted not in true racial harmony but some sort of grotesque pecking order where, nationally and globally speaking, the ones on the top are naturally White Americans and Europeans.)

So it should come as no surprise as to why Chinese petty-bourgeois would put such an unnecessary premium on whiteness, virtually to the point where being “white” in many parts of urban China is the closest thing to Godliness. (Or at least, the Chinese petty-bourgeois thinks or puts on that this is so.) It should be no question as to why women in India, Nigeria, Egypt and other “Third World” nations use skin lighteners by the ton. It should be no surprise that in virtually every country in the world (to quote Chester Himes) so-called “Black” people are considered “the shit of the earth.” Likewise, it should not shock anyone that a Nazi scumbag like Andrew Anglin (one of several) would manage to obtain a visa for Cambodia or Nigeria, or that David Duke managed to hold a teaching position in Damascus, Syria. (After all David Duke, like most Arabs and truthfully like most Americans anyway, really doesn’t like Jews.) A Cambodian official is not looking at Anglin’s political rap sheet; he’s looking at Anglin’s passport and above all, his skin. Anglin is a Nazi, but he is WHITE. He is the aristocrat, and as such, he can really do no wrong in the world at large.

God gave us the earth. We have dominion over the plants, the animals, the trees. God said, “Earth is yours. Take it. Rape it. It’s yours.”

–Ann Coulter, descendant of Irish famine immigrants and right-wing whack job

And aristocrats generally prefer the company of other aristocrats. Wannabe aristocrats prefer the company of aristocrats, naturally. Nothing is worse than a wannabe aristocrat, that poor creature who has all the aspirations of belonging yet does not measure up due to a mere “accident” of birth. So it comes as no surprise that some of the worst nigger-haters on the planet are other “niggers,” or Arabs, or Chinese, or Latinos, etc. or that those most vociferously opposed to “illegal immigration” (an absurd notion when you consider that virtually all European immigration to non-European nations was illegal to begin with) are, in fact, other Latinos. The White American himself does not feel entirely comfortable around any of them, of course; he’d rather interact with some German, Irish, Finnish or French immigrant than he would with his so-called “fellow African American.” This is because the immigrants, though they may not speak a lick of English, are white, and Northern European to boot. The White American may feel slightly less comfortable dealing with a swarthy Sicilian (more so than with an Italian immigrant from Milan) and considerably less comfortable dealing with a Chinese or Japanese immigrant, and still more uncomfortable dealing with somebody from Chile as opposed to somebody from Spain.

So, what then? The White Aristocrat is able to write off three quarters of humanity not because he has any burning desire to do so–not necessarily, anyway–but because his culture (like that of his forefathers) has rendered him incapable of truly seeing nuance in any other people or any other culture save their own. An aristocracy is exclusive, whether it is a Kakistocracy or not. Outside that White Aristocracy everyone else is either a romantic symbol, a stereotype, a cliche, a threat–or, more often than not, a cipher.

It is the ultimate in moral irresponsibility for a group of people that prides itself on running (or rather, ruining) the planet. When the whole of humanity is forced to toe an insane line of thought and action simply because some fat, blonde white sex-maniac insists that it is so, then something must change, and change quick. The needs of the many are far too precious to outweigh the needs of eight or nine white men who control literally half of the world’s wealth. In European text books the old aristocracies of France, Austria-Hungary, the Hapsburgs and others are shown for what they had become by the time they were destroyed–old, creaking monstrosities driven by perversion and greed, completely cut off not merely from the needs and concerns of their people but from their people, period. The very same holds doubly true for this current White Kakistocracy, which is cut off from virtually the entire human race.

Western historians teach us that when the masses of Paris descended upon Versailles and trashed the place, it was a “great moment in history.” It will never occur to these same Westerners that if the masses of people outside the White Kakistocracy descend upon downtown Manhattan or downtown Paris or London and loot it to the hilt, it would be virtually the same thing. We all remember the howls of outrage that rose up throughout the entire White world three years ago when millions of African and Asian refugees descended upon Europe. The Kakistocracy, as it typically does, played dumb and talked endlessly of “Eurabia” and “White Genocide” and all that crap.¹ They still do.²

This white, global aristocracy is so obsessively narcissistic they imagine that some thug from West-Side Chicago is actually oppressing them when he goes on a shooting rampage, rather than the other way around. The white aristocrat does not need to go on a shooting rampage; nothing is oppressing him but his own diseased mind. But he does it anyway: case in point, Stephen Paddock. Another case in point: Dylan Roof. Dylan Roof was not taken out gung-ho style like Tamir Rice or Stephon Clark. It is true that Clark was caught attempting to burglarize several cars before being shot for having a cellphone in his own backyard. Dylan Roof, on the other hand, guns down eight black people in a church in Charleston and while on the way to the police station, he is allowed a meal at McDonalds. Because, you know, killing eight niggers makes a young boy mighty hungry.

Yet another case in point is Nikolas Cruz, the poor, lonely, lost child who shoots 17 kids at a high school in Florida. Since he was not a “fucking Ay-rab” or a “Paki” or some “Black Identity Extremist,” he is not considered a terrorist but simply another misunderstood cat who suffered from extreme bullying. So you know, we, whites and wannabe whites, can empathize with the motherfucker to the point of sending him cash, love letters, nude pics and panties while he languishes in prison. (But Tanishia Covington? Hell, no.)

Slinging mud at far-right loonies like Paddock, Cruz and Roof is extremely easy. But when our liberal and leftist “friends” fuck up along these same lines, what can we say? The Hart family, pictured above, was the exact polar opposite of Jared Taylor and Company. Here we had a white lesbian couple from Seattle that had adopted six black and brown kids and reared them on their own. But on closer inspection we saw that these six kids merely existed as punching bags for these two white liberal lesbians’ self-aggrandizement. In other words, the kids were just there to make these white bitches feel good about themselves and the world.

No matter if these two bitches routinely beat, starved and punished these kids, insulted them with racial slurs or, even more humiliating, forced a couple of them to march out with signs offering hugs to cops (knowing full well it was a bullshit move) while the country was in an uproar over police brutality (not to mention Nazi infiltration of American law enforcement); their sociopathic behavior must have had some justification, however insane, since after all they were not only white but liberal lesbians who had adopted six black and brown children. Naturally the alt-right and their ilk has utilized this incident as an alibi to call out the “privileged” racism of the liberal-left. No comment; one doesn’t need to write any more books about the hyper-privileged racism of wealthy far-right demagogues such as Richard Spencer or the Koch Brothers or, for that matter, Donald Trump. Let them kill each other; they could hardly do worse to themselves what they now do to us. Of course they are still getting away with murder. Of course the level of national outrage at their behavior is nowhere near as high as it is for Bill Cosby³ and certainly not O.J. Simpson, whom the white majority considers to be Satan incarnate.

Harvey-Weinstein
Harvey Weinstein goes into rehab for his ogreish behavior, while “America’s Dad” gets the can for less

The entire incident reveals a genuine rottenness at the heart of white liberalism; even though it is just one particularly outrageous incident, it is really of a piece with how white liberalism functions in regards to non-whites, especially blacks. In fact, the whole Hart Family incident can be read as white, Western liberalism in a nutshell. “Whites,” whether left or right, Northern or Southern, Eastern or Western, rich or poor, understand “Love” as a one-way street in which the whole of humanity is bowing at its altar, endlessly mimicking their twisted value system, speaking their language in their own particular “white” way. And in turn, these “whites” can only “love” us if we conform to their ridiculous expectations.

This “Love” of theirs is full of exceptions, conditions and caveats which contradict themselves at every single turn. It is so exasperating and demoralizing in the long run that one wonders whether this kakistocratic “Love” is actually more lethal than their well-known “hate.” “White” so-called Christians (as well as Muslims, Jews, Buddhists, Wiccans, agnostics and atheists) speak to the world about “unconditional love” while at the same time drawing up an insane laundry list of expectations and demands that the entire planet (including themselves) must abide by in order to receive the “Love” of a white, Western Kakistocrat. That “Love” manifests itself naturally in government grants, fellowships, aid packages, job hirings, job promotions–every conceivable thing under the sun that the non-white individual either wants or needs, right down to a simple phone number from a white woman or man in a crappy pick-up bar.

Yeah, we already know that fact–or at least, we know it, but we don’t want to think about it too much because too many of us who are not of the Kakistocracy actually need to jump through these goddamned hoops merely to survive–much less pick up some chick (or dude) in a singles bar. This won’t happen to our member of the Caucasian Kakistocracy. Slob or no slob, punk or no punk, beta or no beta, he is–in the eyes of too many willfully blind folk–the ultimate Alpha Male. Sexual attractiveness and financial status have little to do with it, of course, for even the most pathetic white “incel” (involuntary celibate, for those not familiar with this kind of talk) is still “Alpha” socially, politically, and economically. All he needs to do is stop feeling sorry for himself. For at the end of the day, this self-emasculated “incel” is still white.

He can walk the streets of his own neighborhood without fear of being pulled over by cops. He sit down inside a goddamned Cracker Barrel–this, assuming that it’s actually worth the time to even go to a Cracker Barrel–and not be forced out. He can use the esteemed crappers of Starbucks or Denny’s and not face the prospect of arrest. What–him worry? Worry about what? Even when everybody puts him down, even when non-white males insult and ridicule him, call him “honky,” etc., the “honky” laughs inside because he knows that his social “inferiors” are simply letting off steam before returning to their proper place, to pick his cotton, shine his shoes and suck his wiener.

Being called a “honky” won’t lead to him losing his position at the top of the totem pole. His throne is safe for now. He is still worshiped–or has the illusion of being worshiped–in China, India and South America, even if he is a fat, toothless old git. She is still worshiped (or thinks she is) in Kenya, Morocco, Jamaica even if she is a fat, stinky pile of rotting flesh. After all they’re white and white means money. This doesn’t necessarily mean that the majority of the world’s people like them–on the contrary, most of the world hates them, but since they have money, power, prestige, all the trappings of the Great White (Western) Aristocracy they are far more inclined to get a pass for their honkyshines.°

*

So, now we know. The truth of it all is unbearable, insupportable. That is: in a white kakistocracy there simply is no Equality, no Liberty and Justice for All; it’s just idle talk. But there are hierarchies within hierarchies, and the Kakistocracy is no exception. It has never been enough within White Society merely to just be white: this is only true in opposition to those who aren’t white! Left to their own devices, the Europeans simply revert back to their age-old feudal/ethnic hatreds of each other. (The entire history of Germany is a perfect case in point.)

The lower end of the settler’s aristocracy shoulders the upper end. This lower end is still somewhat bourgeois, right down to the lowliest hick in an Appalachian trailer park. But the hick is pissed off because he finds that the weight he carries is simply too much for him to handle. The hick’s ancestors came to America hoping that they, too would one day be Great White Aristocrats. It didn’t happen–not the way he had hoped.

In America, the affluent white Anglo-Saxon can afford to play at being a liberal or even a leftist. When we see this man, all smiles, cotton-candy and hamburgers, we can’t help but feel that as a member of the White Class, he is but the flip side of the resentful white ethnic with her Madonna on the front porch and Polish/Italian/Erin-go-bragh flag flapping in the breeze. One can’t help but feel that if this same Anglo-Saxon were living in some Kentucky shithole, he’d be just as bigoted as Billy Ray, or a little shit like Harley Barber (Barbera). Miss Barbera is pissed off because Big Whitey (Anglo-Saxon) never handed her ass a proper crown yet. She is all of a piece with Bubba and Billy Ray next door with their Jack Daniels and rebel flag. The white crown they wear is a tarnished, hand-me-down one–one reserved for the wops, shanty micks, white spics, polacks and redneck trailer trash.

There’s never enough room at the top in any caste system. The rank-and-file, lower-middle-class white man increasingly finds himself in an economically precarious situation through relentless downsizing; having to shelve his master’s degree while he hunts for a shit job at Walmart; and failing that, he faces homelessness, decades of sexual frustration and settling for the mere luxury of being white in a neoliberal Western culture that is increasingly thinning its high class ranks. And being white but somewhat disgraced (for ethnic or class reasons) the “hick” is at least given the “Liberty” of punching down on the totem pole–as New York City police officers or the Hell’s Angels. Or Dylan Roof. Or even–God forbid–a disgruntled, antisocial millionaire white supremacist like the late Stephen Paddock.

___________________________________

 

*Re: Ancient Greece and Ancient Rome. We witness the birth of hardcore Western racism not in Abbasid Baghdad, or Aryan India, but the Late Roman Empire, when the Romans’ fear and hatred of outsiders reached the point of homicidal and genocidal mania. Just before the sacking of Rome by Alaric in 410 AD, the Romans had already had an obsessively inflated view of themselves as “Romans” being superior to non-Romans, but Germanic incursions into Roman borders had erased the Romans’ sense of security and well-being and threw them into panic mode. Much like today, where the descendants of both Romans and Goths cower together on Cape Europe, in horror of the “niggers” and “towelheads” below and beside them. 

¹The European right loves to sling arrows at Angela Merkel, whom they imagine has gotten in bed with the fucking Ayatollah of Iran. Mind you this is the same Angela Merkel who proclaimed the multicultural experiment to be a “failure.” No shit, Sherlock. A society predicated upon upholding exclusively “White” standards as The Only Way is incapable of becoming genuinely multiracial or even socially equal. By default, anything “Black” is going to wind up in the social shitter.

²The Swedish Far Right imagines that Sweden is “dead.” No: only their idea of Sweden appears to be dead, when in fact it is quite alive. The Arabs and Africans on the bottom of Swedish society, leery of mimicking the stilted, stolid and pedantic mannerisms of the Swedish people (themselves a massive white Global Elite), instead turned inward and against each other, and ultimately against a society that judged them as trash from the start. The hegemony of Islamic extremism was simply a ready-made alternative to the antiseptic nightmare of bourgeois Swedishness. It is not, never has been and never will be representative of anything progressive or humane. But the Islamic far-right (like the Nation of Islam in the USA) was on hand for these alienated black and brown youth when the so-called “Left” was not. 

³As I write this, Bill Cosby, America’s Dad, PhD and all, is on his way to prison. He will most likely die there. Harvey Weinstein, Roman Polanski, Donald Trump and innumerable cops and old Klansmen who beat, tortured and killed “niggers” during and after the Civil Rights movement are still free.

°Sometimes the honkyshines are welcomed. There is actually a group of American Negroes who have sexualized their own self-contempt and white-worship, and have allowed white Nazis to beat them up, put them in cages and force them to eat dog food or dog-shit, holding up signs with racial slurs or swastikas on them, etc. Some of these revolting pics can be seen online. (Of course one can also see the reverse in guilt-ridden white male “cucks” who allow themselves to be raped in the ass by big black thugs, but these are really two flip sides of the same coin. Scratch a sadist and you will find a masochist, and vice versa. At bottom neither the white sex-sadists nor the white sex-masochists think they are dealing with their social equals, but with their social and biological inferiors.)

I Repeat: DARE TO BE UNJUST!

Note: I have noted the deathly silence on this blog’s activities after posting a picture and a quote from the late Romain Rolland, author of the massive roman-flevue “Jean-Christophe.” The quote was taken from the novel.

I placed the quote there for an obvious reason. Yeah, Monsieur Rolland was a white Frenchman, a good friend of Gandhi (well-known racist and flip-flopper) and Rabindrath Tagore (who wasn’t). That’s not the point. The author does not indulge in white worship either on this blog or elsewhere nor does he do it in his private life. The reason why I posted the quote is because it is entirely relevant to what people, especially black people, need to do now.

Rolland writes: “There is an age in life when we must dare to be unjust, when we must make a clean sweep of all admiration and respect got at second-hand, and deny everything truth and untruth everything which we have not of ourselves known for truth. Through education, and through everything that he sees and hears about him, a child absorbs so many lies and blind follies mixed with the essential verities of life, that the first duty of the adolescent who wishes to grow into a healthy man is to sacrifice everything.

The point is perfectly clear. Writing from a contemporary perspective, it’s obvious that there are too many people, including far far too many black people, who get all their values, their knowledge about the world and themselves second-hand. With Afro-Americans in particular, we are still so deeply infested with this idiotic colonial mentality that some of us are even willing to pretend to our white masters that our oppression doesn’t really exist, that it’s just an illusion. Which explains why the late Stephon Clark went to his death thinking that his children (from some Vietnamese woman, whom I’m not going to talk about) were “not black,” that he himself wanted nothing whatever to do with “black.” Or why his brother Stevante was willing to put on a ridiculous coon act in front of the entire nation, to the point of landing himself in jail. It also explains why Melissa DePino, a white woman who captured the entire Starbucks flap on video, was far more willing to call the incident for what it was–blatantly racist–than the very victims themselves.

Rashon Nelson and Donte Robinson sit on ABC News with their attorney, their blank faces staring back at us, carefully censoring their true feelings before the white majority audience–as if mouthing bland platitudes about “standing up” and “this is a people issue” will take the national heat off them. The heat is on them because they are black, of course. It does not matter if they have been victimized or not. Like the ridiculous Stevante Clark, both Mr. Nelson and Mr. Robinson were perfectly willing to settle for a wad of cash in exchange for their dignity. Now if either of these three were willing to take the cash and leave Trumpland, it would make perfect sense. I do not know what either Nelson or Robinson intend to do with their cash and it’s none of my business. But we all know what Stevante Clark intended to do with his because he made himself plain with his goofy-ass behavior.

Unfortunately, Stevante Clark was not the only victim of fascist police thuggery to trade in his dignity for a few pieces of tarnished gold.

Every single stupid thing that we do when it comes to dealing with the white world stems from the fact that we still see white people (and to a lesser extent other non-blacks) as our superiors. We think that no matter how horribly the planet treats us, we still must make believe that our ill-treatment really isn’t so bad. So some white guy kicked you in the ass on the metro, spat on you and called you a nigger? Well, okay. Not a big deal. In fact, maybe the white guy was just angry over something else, and was just taking it out on me. Don’t even bother to ask yourself why he chose YOU, of all people, to vent his disgust on. Don’t bother to ask yourself why much of the world thinks you’re a walking spittoon simply because you’re an African. Laugh. Smile. And above all, love.

Love is the key, isn’t it? Why, sure it is. We’ve heard that old line before. The only goddamned problem is that you never bothered to ask yourself where you got those words from. Who? Your mother? Your father? Some random book, or some friend of yours? And did you bother to ask yourself precisely what “Love” is? Is it a one-way or a two-way street? Is it conditional?

From what any damn fool can see, the “Love” we share with our white overlords clearly comes with a huge laundry list of strange clauses. The most notable clause is from the Bible. Do Unto Others As They Would Do Unto You. Well, then. How do “Others” do unto us, anyway? Ever thought about that? You read the fucking Bible and the damn thing tells you “Love Thy Neighbor.” Okay, then. Your white, Asian, Hispanic, Arab, African or self-hating American colored neighbor hates your damn guts for no good reason. This is how shit happens in the real, everyday world, sir. So what do you do, then? Do you come to this hate-filled neighbor with a love he refuses to show you, preferably with a Bible or Koran in hand? Or do you return the favor, since–as that clause itself would amply illustrate–you should Do Unto Others As They Would Do Unto You?

The other clause (and far more sinister and unspoken) is: you, negro, must love me no matter what, even if I don’t love you. Therefore your honky neighbor has a right to scrawl racist shit all over your car and you must forgive him (or her). The honky will probably get probation, but if you curse at him you might get shot on a technicality, either by the honky or by the cops (who are probably the honky’s friend). The real point I am trying to make is that everything you think you know about love, about forgiveness, about respect, about being an American or being (for that matter) “Black,” you learned it second-hand. You show America a begrudging respect (and your own folk a routine and calculated disrespect) not merely because you are afraid, but because it has been drummed into your head from birth that you belong at the tail end of the bread line because of your ethnicity and color, democracy be damned. Yet at the same token it’s also been drummed into your head that this is your country and that this is a democracy and that you are an integral part of it. So, then–why the fuck do you think belong at the end of the national bread line? And if you are at the end of the fucking bread line, getting everybody’s leftovers every passing decade, why do you still call it a “democracy?” Something is clearly wrong here, but what do you think of all that?

Deep down, you (Afro-American) think you are at fault for all the bad things that are happening in the world. Never mind that you don’t have a goddamned stake in running things, and NO, it’s not because you’re “inferior”–whatever the fuck that means. After all there is a thin line between a man who thinks himself to be inferior (and acts the part out of some sick Pavlovian syndrome) and a man who actually is inferior and thinks himself to be superior–not because the inferior man is genetically deficient or lacks the necessary melanin to build a Great Pyramid, but because this inferior man’s inflated sense of white self makes him feel that his color alone is enough to make him feel superior. Had this superior white man walked in your shoes for a single month (much less a lifetime) you can rest assured his high IQ score would plummet by several dozen points after the first week.

The whole country right now is screeching like drunken magpies about arch-rapist Bill Cosby, while forgetting that their President Sideswipe is pushing humanity towards World War Three. If you ask me, I’d rather have Quaaludes in my coffee and fingers in my crotch than global radiation poisoning. (We only have one planet, after all.) That’s not to say that Cosby is a saint. Bill Cosby is simply the by-product of the same decadent, money-grubbing, hypocritical, neoliberal, capitalist, bourgeois culture that spawned Donald Trump, Jeff Sessions, Roy Moore and the rest of them. That culture is completely antithetical to all true moral values, all sense of right and wrong, everything beautiful, everything positive, and anything even remotely natural and healthy.

Yet you abide by the fake values of this culture and even pledge love for the promoters of this shitty culture without even thinking about it. You go to a Starbucks or a Denny’s or a Cracker Barrel with the intent of eating or drinking their shitty, chemically saturated food. Okay, you dig this funky “food.” You have every right in the world to eat there and to challenge to any degree those who would insist that you have no right to eat at Cracker Barrel, or Denny’s, or Starbucks–the police included. But your eating there puts money back into the pockets of the same schmucks who are kicking your ass, while at the same time, very slowly ruining your health.

There is something very childish about this kind of behavior. It’s typically American, and black Americans are definitely no exception. The average American spends his entire life in some painfully protracted adolescence, blindly believing everything he has been taught and living what James Baldwin has called “the unexamined life”–a life which, he hastened to add, was not worth living. I’m assuming that your average Afro-American is equally adolescent, if in his head if not in his body. You have millions of black men who have prioritized a cheap piece of ass over everything in the world because they imagine that some oozing vagina (or asshole) will make up for their basic lack of manhood–and millions of black women who imagine a blonde weave will give them the womanhood they never had. And why?

Virtually none of them can think for themselves. Very, very few of them will stand back from the chaos that is their society and say, “I won’t accept it.” It’s not enough for an individual rejection of the American insanity; there must be a collective effort to reject the insanity. But whether this rejection will actually take place within Black America is another question entirely.

But, It Ain’t Really Your Life…

The following is neither a screed against nor a puff-piece for the movie. In fact, I haven’t seen it yet. I guess I am obliged to eventually go see and find out what the hoopla is all about. But the trailers I’ve seen so far on YouTube leave me somewhat disconcerted. The whole feudalistic jungle shtick, with grass skirts, spears, plate lips and all, was something to be expected from Disney/Marvel. I can’t really say at this point if Black Panther is simply a far more sophisticated and nuanced take on Jungle Jitters (a notorious Warner Brothers cartoon from 1938 full of grass-skirted and plate-lipped jungle-bunnies), or an Afro-futurist signifying on the racist “Noble Savage” trope. Whatever the case, Black viewers flocking in droves to the theaters are anything but offended.

Director Ryan Coogler has hit pay dirt. Another Official Black First. Chalk it up on the board. Black Panther has confounded all the negative expectations of naysayers (mostly non-black, and generally white) who assumed that “the first big-budget superhero movie with a black lead, predominantly black cast and a black director” would be a box-office flop. It has been just the opposite. So far this film has earned close to a billion dollars at the box-office worldwide, trumping Wonder Woman (in North America), X-Men, Suicide Squad and Star Trek.

To be entirely fair to the Black moviegoer, he or she would rather see a film in which they are in control of their lives, solidly in their own spaces, technologically advanced rather than the usual cliches of poverty, mud-huts, ghettos, drugs, prostitution or the flip side of the same stereotyped coin, ill-gained wealth manifesting itself in flashy cars, McMansions, diamonds and silk, pearls, oversized jackets and gold chains and gold grills. Wakanda is wealthy and technologically far in advance of any other civilization in the world, and even though it’s a total fantasy, provided by Marvel through a hired Black token director, at least the fantasy feels good–if only for 90 minutes.

In the make-believe world of Wakanda, the Afro-American can momentarily picture himself in a world where he or she can be strong, black, beautiful and undiluted with whiteness, with all the futuristic trappings and advanced technology that European civilization never heard of. In this CGI fantasy Black can be Black without Whitey dictating the terms.¹However, there seems to be a problem. The sensibility of Black Panther appears to derive much from Afro-futurism, a concept that (according to Patrick Gathara of the Washington Post) “cannot engage with (Africans) as human beings but, like the white and Chinese worlds, only as props for its own struggles and self-aggrandizement.” Afro-futurism is an engaging school of thought, but the very suggestion that Africans cut out for the stars–rather than engage our enemies down here on Earth–sounds like an ideological cop-out, another way of refusing to deal with an uncompromisingly ugly reality. Wakanda is an Afro-futurist’s wet dream, but it is also a feudalistic nation of greedy elites living in isolation from the rest of “Shithole Africa,” a nation “with the most advanced tech and weapons in the world” that, nonetheless, “has no thinkers to develop systems of transitioning rulership that do not involve lethal combat or coup d’etat.”² Not that Black audiences give a damn, however: they are dancing in the aisles in dashikis as I write this.

Naturally this last fact alone got the alt-Reich hopping mad. Ben Shapiro, the alt-right’s Uncle Tomsky, spluttered in his squeaky cartoon voice that “nobody’s ever gone to see a Captain America movie and said, ‘wow, look, a movie with a white hero! I’m so excited! He’s white!’ Nobody does that in America.” Well, Ben, that’s because white Americans don’t have to do that–it’s taken for granted that their screen heroes are going to be white by default. It’s taken for granted that when some scruffy “negro” appears on screen in saggy pants and with grills in his dirty mouth, he becomes the standard by which every “negro” the world over should be judged by. This does not happen with white Americans, Benny–not even Jews. Over 80% of American movies are entirely white-oriented. That should be a fucking no-brainer. But you know there’s no point in discussing anything intelligently with the American far right. They are so anti-African that they are uneasy with the very idea that an African can actually dream of a better world, much less fight for one in real time.

But that’s just the problem I have with this whole Black Panther phenomenon: it’s yet another instance of Afro-Americans opting for Escapist politics over substantive change.

“It won’t be too long before the director cuts the scene”

When I see this latest box-office smash I can’t help but be reminded that once again, Black American history–to use that old cliche–is repeating itself. It repeats itself for the simple fact that those doing the repeating of history clearly never learned a damn thing from it. We went through this cinematic escapist foolishness before on at least two occasions: once in the early Seventies (Sweetback and Shaft) and again in the late Eighties to early Nineties (Do The Right Thing and Malcolm X). What I’m saying has nothing whatever to do with the quality of either of these films. Like I said, we are not learning from history because we simply don’t like to stand back and analyze anything–let alone ourselves and our situation in the world.

Culturally, we are living in a very sad time. It has become expected of Afro-Americans to pantomime the most idiotic and puerile stereotypes that non-blacks have of us–as if our very identity as Afro-Americans is predicated upon being, in a nutshell, primitive, bestial and inferior. This collective neurosis is not new, of course–there’s simply far more of it than there ever has been in the past. Outside of Wakanda many of us can barely relate to each other as human beings. It should be no secret why this is so. When one is constantly tapering his personality to dimensions acceptable to his persecutors, you can barely look your own brother in the eye because deep down, you know that you have failed morally–you have failed to confront your own persecutor, you have failed to challenge his twisted system of reality; you have repeatedly failed to achieve what you set out to do and what you know, in your heart of hearts, is the right thing to do. As Afro-Americans, we have not only continued to fail in challenging white reality, but worse still we persistently–by our own confused, emotional, childish blundering–reinforce the very racist juggernaut we set out to destroy. How else can one explain the absurdity of the Umar Johnson debacle, the Tariq Nasheed-Boyce Watkins fracas, or the sudden emergence of this new Hotep minstrel show?

There may actually be thousands of unknown, struggling black filmmakers toiling away with enough power of expression to turn the entire cinematic world upside down. But who would be willing to represent such artists, where would they obtain the money to make their films and, assuming they got these films distributed and in theaters, who in the United States–least of all in Afro-America–would be willing to watch such films?

One would have to wonder if Black Panther really represents a step forward for Afro-American cinema, in which case (naturally) we would not need to wonder too much about the matter. In fact, the thing that has escaped most observers about the Black Panther phenomenon is that, in reality–and this especially concerns independent Black film makers–it is a step down. And not because of White Hollywood–after all, White Hollywood is what it is, and generally has made it perfectly clear as to what it thinks about Afro-Americans up till now. No. Black Panther’s success sent a clear message to Afro-American indie film-makers that if you want a smash hit, you’d better create something else other than a realistic, thought-provoking and nuanced film about Africans and Afro-American life; you’d better stick to escapism and fantasy. Forget about Art, forget about Truth, forget about Knowledge. Forget about Reality. Black audiences aren’t fucking interested in seeing these things.

Just ask Charles Burnett, or Haile Gerima, or even Nate Parker. Killer of SheepBush Mama, Birth of a Nation and other such films barely raised eyebrows because those same Black eyes were too busy grooving on Shaft, Pam Grier’s panties, or lost in the CGI jungles of Wakanda. Black Americans put their money into Marvel and other capitalist ventures because frankly, this is where their hearts lay. They certainly think American, contrary to what they might feel about their position in American society. Their hearts do not lay in building their own things; they want what Uncle Sam has, even if what Sammy has may not be worth a damn. They are not interested in cultural or any other revolution; they were not interested in it 80 years ago, 50 years ago, nor 25 years ago and definitely not now. It’s not because Blacks have any particular love for it, or even so much because they are afraid of the ultimate showdown between themselves and White Supremacy. Black Americans are disinterested in confronting White Supremacy because–up till now–it has been extremely difficult for them to imagine living under a system in which they aren’t having their every breath monitored. And why would they? They have hardly known anything else!!

All this talk about “liberation,” “revolution,” “independence” and all this crap is really just abstract bullshit to the average Afro-American. He may agree with it, but how do you really picture all this in concrete terms? What does “liberation” really look like, anyway? What does a truly independent Black nation look like–one that is not dependent, in any way, shape or form, on either Europe, America, the so-called “Middle East” or China?Eight generations of living (for better or for worse) under the iron heel of a European-settler regime has virtually wiped out any idea of what that might be like for the Afro-American. This fact alone explains the smashing success that Black Panther has had with Black audiences in the United States.

In the average African American mind group therapy, or an individual desire to blow off steam to survive the grueling and humiliating grind of living under a white-dominated society gets confused for revolutionary thought. Those of us who ARE serious about revolution wind up in prison, the insane asylum, six feet under or worse. Or, they go into exile in China, Algeria or Cuba. Black Americans are so happy merely to be recognized, merely to be seen by a society that pretends they only exist as a cheap stereotype, that when crumbs in the form of a Disney film (Disney, another corporation that pretended for decades that Black people didn’t exist) are tossed their way, Black Americans savor each crumb as if they were individual pearls.

Yeah, it’s true: Black Panther ain’t really your life. It ain’t nothin’ but another movie. It’s a great movie–so I’ve heard. And if you want to see this film then damn it, just see the film. There’s nothing wrong with 90 minutes of good, clean fun. But for Christ’s sake, do you have to boogaloo in the fucking aisles or wear dashikis to see it, in the meantime?

______________________________________

NOTES

¹“(T)he Negro is a sort of seventh son, born with a veil, and gifted with second-sight in this American world,” DuBois wrote in 1897–“A world which yields him no true self-consciousness, but only lets him see himself through the revelation of the other world. It is a peculiar sensation, this double-consciousness, this sense of always looking at one’s self through the eyes of others, of measuring one’s soul by the tape of a world that looks on in amused contempt and pity.”

²Patrick Gathara, “Black Panther Offers a Regressive, Neocolonial Vision of Africa,” Washington Post, February 26, 2018

 

News Flash: Reactionary Trump-Supporting Hooker COON calls Black Girl “Ugly Black Monkey”

via Brazilian living in Canada calls acting couple’s black daughter a “monkey” with horrible hair; says she has also been a victim of racism

It doesn’t surprise me in the least. Of course, you don’t have to be light-skinned to be a “coon.” Technically I am “light-skinned” and a “half-breed” (or some people think) but I am not a coon by any stretch of the imagination. Paris Dennard, on the other hand, is a different kettle of fish.

As for this bitch–let’s do the math.

  1. Her real name is Dayane Alcantara Couto de Andrade, whatever the fuck that means, but she insists upon calling herself Day McCarthy–probably because she thinks she’s Colin Flaherty’s bastard child.
  2. She is a self-proclaimed “socialite.” (What part of “society” or what fucking club this ignorant cooness belongs to is in question. Is it the Dennard-Petersen club or the fucking Tequila-Maigualt society?)
  3. She wears a conk or a weave–in other words, what other negroes call a “hair-hat.”
  4. She has a boob job and no behind.
  5. Her skin has an unhealthy pallor to it, suggesting excessive use of skin-lightening creams.
  6. It looks like she’s shaven off half her nose in a misguided attempt to look “white” (or Irish-American)–ironically, it only makes her look even more like a monkey than she looked before.
  7. She loves Trump and probably masturbates to the motherfucker in private.
  8. She has a strange following on social media for some reason. It must be from guys who are overtly fond of Brazilian women, who think that every Brazilian woman is a hot piece of tail. (I can personally tell you that this is simply not true.)
  9. She was a Copacabana whore before fucking off to the States.
  10. The bitch was running a cathouse south of the Mason-Dixon line and was busted for it in 2015. (In Virginia, of all places. Figures.)
  11. She is a big fan of corny telenovelas, the scourge of Latin America. Two of her favorite actresses are (of course) Giovanna Ewbank (31) and Bruno Gagliasso, 35. Both of them are white, of course. But in spite of this they adopted an orphaned South African girl named Titi.
  12. In November 2016, Miss Andrade (Irish NOT!!) was outraged that the girl was so dark and African-looking–something she clearly hates about herself, which explains why she looks like a Charro wannabe–and so she took to social media and spat the following words–“I wanted to understand the false ones, the brown-nosers, who criticize me for my appearance, for not having blue eyes, straight hair and a beautiful, fine nose, as society imposes this kind of beauty. But they stay there on Bruno Gagliasso’s Instagram complimenting that macaca. A menina é preta, tem o cabelo horrível de pico de palha(The girl is black, she has horrible hay-tipped hair). And she has a nariz de preto (black nose), horrible, and the people say the girl is beautiful! You’re only kissing up to them because she’s adopted by celebrities. A daughter she is not. As if two white people, with light eyes, are going to have a black daughter with hay hair and a black nose. Ah, ridiculous people, huh?”

Ms. Ewbank and Mr. Gagliasso responded by pressing charges against “Ms. McCarthy”. “Good Sunday with LOVE and the purity of a child to everyone who has sent us messages about what happened, racism is a crime, and we are already taking due steps before the law. Thank you,” wrote Ewbank.

Mr. Gagliasso upped the ante with a slapback, publishing a photo of Angela Davis with her quote, “In a racist society, it is not enough not to be racist, it is necessary to be anti-racist.”

day
A whorehouse madame in Henrico County, VA–where my family lives
AN AFTERWORD: COONS, COONS, COONS!!

So how would that explain my calling Ms. Andrade a “coon,” then?

Simple: she IS a coon–of the Portuguese kind.

Coons come in all shades, colors and nationalities. Even all races. Tila Tequila, who thinks she’s Viennese, is a Vietnamese coon. Jeanine Pirro, who thinks she’s Italian, is a Lebanese coon par excellence. Sean Hannity is an Irish coon–a lace-curtain Irish mick. The unfunny Andrew Dice Clay, like the late Andrew Breitbart or the Prime Minister of Israel, is a Jewish coon. The motherfucker who destroyed net neutrality in the United States is a coon of South Asian extraction. And we all know Milo is just one big right-wing homosexual minstrel show, all unto himself.

If the bitch (McCarthy) is reading this and finds herself “triggered” well then: fuck you and your mother, paper-bag coon. You get back what you put out.

So now she admits that she too is a Negro and that she herself has suffered from racist abuse, that they called her “Michael Jackson nose” and “black monkey”–which she claims, and is probably right, knowing the type of crowd she wishes to be a part of. “I also had a lot of bullying at school because I was poor because I was fat, because I was ugly, I always went to the police station and nobody listened to me,” she whines.

Yep–she’s a “victim.” I, too, was abused. #MeToo. That’s why I called you a monkey. The favorite alibi of self-hating darkies the world over¹. Aggression-frustration theory, you dig.

“I was born with this racist thought, and I think it should be talked about. Of course, this is something you can control and not speak. But, you think this, for me it’s the same thing, it’s still racism,” Andrade says.

But at the end of the day, dago, Titi looks better than you did when you were a girl, and will probably look a hell of a lot better than you do now when she grows up–providing Brazil will let her grow up.

titi

There are so many coons out there who are bojangling and bootlicking for ole massa that you can’t even count ’em all. There are local coons and national coons and there are international coons. I didn’t even want to talk about those shits today because I recently woke up from a nightmare involving coons–and of the female variety, who are among the worst.

We already know about male coons such as Jesse Lee Petersen, who thinks racism doesn’t exist, or Sheriff David Darkie Clarke, or that idiot who hosts ATLAH Worldwide–a coon so outrageous that I won’t even say his name. Vintage coons like Ken Hamblin, who made a name for himself in the late eighties by referring to black neighborhoods as “darktown,” or highly erudite and sophisticated coons like Shelby Steele and John McWhoreter, bless his wittle heart. Enough of these rear-guard shines.

Inter-racism among black women is something the mass media does not like to talk about, because the mass media is too busy hiring black female racists like Amber Phillips and Omarosa (another coon) and their ilk to speak on behalf of the entire black race. They are so lost they could not find their own ass with a Michelin map, but somehow they have been given the go-ahead to represent us. They don’t represent anything except the soiled bedsheets they left behind after their masters fucked them in the face.

They are everywhere, in lock-step with their male counterpart. To quote Ayi Kwei Armah, they are a “huckster caste with the mentality of pimps,” exceptionally uncreative and completely useless. They have appropriated all of our resources, all of our power and all of our money. The question is why do we (blacks) continue to take shit from these goddamned, god-forsaken COONS? Why don’t we just get rid of them?

daymaccarthy2_e251631bc6648c776f8216959d47e057f77c0f5a
Day McCarthy writes to her sweetheart in the Honky House. Verdict: COON!!!

¹I excuse myself for reasons stated above. Fuck you.

Announcement Concerning “Nate” Reissue

My award-winning novel of 2006, “Nate,” is still in the final stage of preparation. I’m designing a new cover for it (I don’t think the old one is adequate) and making corrections in the old text. And since I’m still struggling financially to keep afloat I have to bump the date of publication ahead to January 4, 2018.

Also note: I am preparing a series of essays to be published sometime in 2018 (an exact date has not been set) about the current state of affairs in Black America. It is not exactly a response to Ta-Nehisi Coates’s Between the World and Me because I have not read his book. From what I have heard about it, and from the few excerpts I have glimpsed of it, Coates’s book is not saying anything particularly groundbreaking. I have my own views on this subject, and as you know they are considerably less compromising than those of Ta-Nehisi Coates.

In the meantime here is another excerpt from “Nate” to whet your appetite.

********************

When I regained consciousness, I felt like I had been on a five-year acid trip. Life around me slowly took on some fearful shapes.

Well….they frightened me at first. Then they disgusted me: a big tent, a dirty floor, half-empty plastic water bottles, candy wrappers, scattered papers, a bunch of grimy backpacks and battered clothes, and, last but not least, the unwashed asses of six or seven men, all looking at me, and all hating me.

I wasn’t high; I knew I had woken up where I had always feared I would wake up: at the bottom of the world. Hadegouine, Numidia. The hot spot of America’s war against international terrorism. More Marines than gooks had lost their lives here. But we weren’t about to take their irons out of the fire. It was the eighties, Reagan was in power, America was back—and if anything, we had to prove it to the world. The 3lst Ostrogoths had trained for this mission for over ten months before they transferred me to the unit, all with a “recommendation” from that same vicious black bastard, whom I’d smirked at some months ago.

Of course, he was right; I didn’t so much as smile the whole time I was stuck there.

Shortly after my arrival, I tried to muster some sympathy from my fellow Marines by telling them what happened to me at Fort Jejune. They merely laughed in my face. Every night from then on, they joked about it in the cruelest way, usually where I could hear them. They sounded like obnoxious little schoolgirls.

We passed a number of months just sitting there, in the desert, talking about nothing—or, rather, THEY talked to EACH OTHER. Not to me. After several months drilling with them I let them know just what the fuck I felt about them, and they had grown as suspicious of me as the last unit had. Some actually thought I was insane. Well, I thought, at least that’s an improvement over the old situation: they may hate me, but at least they fear me. I can handle that.

Everybody was scared; they all knew that Death was at the lining of their assholes. The Royal Numidian Army (of King Ahmed) had been assigned to do our dirty work, but they were the most inept, undisciplined fools anyone had ever seen. And the Pakistanis working alongside them had their hands tied behind their backs. When our officers heard this, they exploded in rages that filtered down the ranks from general to major to lieutenant to sergeant to corporals to sorry, smelly us. All trust had broken down on all sides; all enthusiasm was dead. (Meanwhile, the other side, what with their shells and bullets growing louder and louder and popping and whizzing and kA-blooming through the night, seemed to have an infinite supply of ammo to burn. They made it impossible for you to sleep. I sat and waited and hopelessly twiddled my thumbs and clattered my teeth as the hours wound down.)

I heard we were headed for Adjrar, to indulge in a little “light guerrilla warfare,” as soon as the other units (U.S. and U.N.) cleared the way for us. We had a whole load of goodies and treats and tricks piled into trucks we planned to give the gooks to keep them happy. I peeped into one of these trucks just as they finished loading it; it was filled with nothing but—refuse. Whatever happened to the food? “They got enough Purina cat-chow, and besides, we ran out,” one soldier explained to me. “They shoot at us whether we feed them or not, no matter what side they’re on….it’s crazy, isn’t it?”

He was one of the few soldiers who even bothered to talk to me, and I didn’t even know his full name for several months. In fact I still didn’t know half my company’s names, no matter how often I’d heard them repeated, no matter how often I’d seen their arrogant, childish, grimy faces.

The worst of my fears came true after two absolutely sleepless nights, hearing the increasing chaos and contemplating my own death. The sergeant came in before five o’clock, hysterically whipping our asses to the strains of “Reville”. Sergeant Sanders: A big, loud, ugly ape from Edgeville, South Carolina by way of Chicago and Sing Sing, six foot five and medium-to-dark complexioned, with eyes as hard and cold as diamonds. “Up!” he screamed, “up! Up! Up! Up! Up! Get your asses the fuck up! Ten-shun! Ten-shun! Camel-coon time!—”

After standing up like robots, during which time he inspected the human meat to be roasted by the rebels (or “Camel-coons,” as we had to call them, or get thrown in the stockade and make penis-necklaces for the general’s wives), we got into uniform. We had to be quick, because because because because; we didn’t even have time to wash our asses, so we all smelled. I got into uniform with deathly, quaking motions, as if I was putting on my funeral suit, and preparing to step into a casket. I already saw myself dying, bleeding and totally helpless on some God-forsaken road….like the one we were eventually forced down, unpaved, muddy, filled with deep craters and oceans of quicksand. I barely knew where anything was, it was so dark; I seemed to be surrounded, yet utterly, despicably alone. Dead tired, I made my way with them as the sun began to break through the darkness; the only thing that kept me awake was the sound of enemy gunfire. It terrified me, as did the endless roar of the tanks—but after a few hours of the unnerving monotony, I ignored everything but the gunshots.

They had two kinds of tanks—brown for the Marines, and for the U.N., the white kind, with bold, black lettering on the sides. Their drivers were having a ball, knocking over palm trees and plowing through oases and huge, dark sand drifts that were as long and deep as canyons.  Something was wrong. I was sitting in one of these vehicles—a convoy called the “Black Bastard”—when I heard some guys groaning in disgust. The vehicles suddenly stopped, and some soldiers leaped out to see what was wrong. My body pulsed with anticipatory fear. When I finally got out of the convoy myself and saw what it was, I was so shocked, I nearly went blind. Some youth had been crushed flat under a tank. The soldiers said “rebels” did it, but they said it in such a strange way, so casual, and yet so embarrassed, I immediately knew they were lying. How on earth could anyone be so cold? Were these guys just so shocked that they had to laugh, or was this all a grandiose hallucination, brought on by my hunger and exhaustion? I didn’t want to know.

The hours drummed cheerlessly on. The further we made it down the road, the more corpses began showing up. They were not our victims; they were obviously those of the rebel army, but I was revolted nonetheless. Soon I was seeing so many of these ugly, gummy, blasted up things in the road that my mind, long accustomed to nude girls, now kept on relaying back to me faces half-shot away, bodies with no heads, no arms, no legs, sometimes fully intact with heads looking every which way, eyes opened, but mouth cracked as if in stupor….

Peeping through the mud brick walls of the villages, gathered about the doorways of their crumbling souks, were Numidian peasants. They watched us pass along the battered road beneath them. They saw us kicking ourselves in our own asses, our officers routinely abusing us, thrashing us, spitting on us, even threatening to kill us—and from what I could see, they were quite amused. They went about their business while we tried to impress them with our helicopters, airplanes, tanks, and our posturing, smelly asses, flexing muscles but really dying of the heat and exhaustion and aching feet and the hordes of mosquitoes which were so voracious that sometimes, if you listened carefully, the air sang with their shrieking wings.

The Numidians said nothing. After awhile, they didn’t even look our way; I guess they were thinking, “They all look alike to me”….

It was a real revelation. On T.V. they always seemed to be cheering at the sight of U.S. soldiers; we always saw swarms of them fighting, clawing each other savagely for food that these big-hearted, generous Americans had brought them. But the only thing I saw were these peasants just indifferently passing through—even with Marines stopping them, questioning them, searching them with hands raised. It was increasingly clear to me that we didn’t know what the fuck we were doing; it was also obvious that, even though no blood had been shed on our part, the Numidians had won the war. Just look at our outfit! Everybody hated each other—the honkies hated the niggers, who hated the spics, who hated both niggers and honkies, themselves included, but the Numidians?—They may have been frequently hungry, their homes non-existent, they may have been fighting each other and the ruthless Touraegs and Bedouin slave-runners and hash gangsters from the deserts, but they were working in one breath, in ways that we super-individualists couldn’t even do under pain of death. (Or, rather, they—I don’t even know what I mean when I say when I say “we,” because it wasn’t my war.)

The unit kept on listlessly marching through, till I could see the town for myself—or what was left of it, because the place was nothing more than a series of smoldering shells with their walls standing oddly erect, supported by seemingly nothing at all. Everything was gray and black, ashen earthenware—the colors of an air raid’s aftermath. The only things left to show that humans had lived here were a few pathetic shreds of clothing scattered about, along with some shards of pottery—but I didn’t look too hard. I didn’t want to see any more dead bodies. So we passed on to Ben-Ounif….

Ben-Ounif fascinated me. Not much had happened to this town, except that a bomb had landed in the local mosque and hadn’t exploded. The buildings looked odd, like enormous, bright-red beehives. Hemming this little molten town in was a huge, oblong, terra-cotta wall with about five or six openings at either end. Coming out of them, occasionally, were women, children and elders, in white turbans and long, flowing colorful robes loosely draped about their bodies. As I was passing idly up the road, I saw one of the peasants say something to another. That other peasant rushed back inside one of the odd-looking beehives for a few seconds and soon, very timidly, some of the fellaheen began gathering about the openings of the wall to watch us. Some climbed up on the wall, mostly children, who seemed to be making faces at us rather than cheering us on.

Had it not been for the pebbles some kids pitched at our procession, perhaps we would have never stopped. Perhaps: I don’t know. I understood that the guy leading our battalion, Lieutenant Malthusiano, was preoccupied with other things. He spent an inordinate amount of time inside his tank. And what with those strange groans that often came from it, one had to wonder about him. Not that the soldiers gave a damn. Most of them were already stoned out of their minds….

Meanwhile, the longer we paused, the more fellaheen (peasants) began gathering on the road.

Jugs of water balanced on their heads, clutching sticks, with bulging bellies and sealed lips and sullen stares, they faced our company. Their numbers quickly mushroomed. More people got up on the wall; they started nose-thumbing, just the way we Americans do. Once “Tank”—that’s what we called the lieutenant—saw the hold-up, he zipped up his pants and got out of the tank. He had very black curly hair that hadn’t been cut for weeks. He had a hooked nose, Dravidian mouth, thick eyebrows, and sunken eyes; olive-complexioned to begin with, his being in the sun so long made him look almost African. But, appearances notwithstanding, he spoke with a strange redneck drawl, didn’t like blacks, had a rebel flag tattooed to his left arm and an iron cross to his right—‘nuff said.

“Tank” insists he isn’t scared of all these hundreds of peasants. Of course not. War isn’t even on his mind. Case in point: every now and then, some graceful, lean, hard fellaha passes lazily through his field of vision, talking loudly in harsh, guttural, South Numidian dialect….“Tank” absentmindedly licks his lips.

“You know she wants it, they all do,” he barks, watching one girl’s arrogant buttocks mock him and the rest of us through a bright pink robe….“They’re whores, I can feel it. They’re not even Christians! Did y’all hear about it? No? Welllll….down here they don’t believe in all that hocus-pocus WE believe about not havin’ sex. Hell, no! This is a different world, folks….A different culture, so while we’re here we can do a little enjoyin’ of ourselves! Why not?

“You know something, boys,” he adds, louder, in his horrible New Orleans accent—he takes his hand off his crotch and turns to us….“You know something? With no men here, you’ll get so much pussy you’ll fuckin’ hate it. You’ll hate the shit. I ain’t lyin’, kid. Stick around. But in the meantime, stay on your goddamn guard, ‘cause these motherfuckers could hava lotta grenades up their fuckin’ robes.”

He sees another one pass, he starts to get hard. Unbeknownst to him, a banner, displayed by two young women gathered in the road and written in very crude French, read: “DON’T KIL NUMIDIAN PEPLE, WE LOV YU AMRICANS”. I didn’t know that until the funny-looking guy who’d spoken to me earlier mentioned it to somebody behind me. The other somebody sucked his teeth and laughed. “Shit,” “Tank” went on, he being what he was….“Who needs R & R with babes like this around? See….what I usually do is bribe ‘em. Yup. Throw ‘em a pair of Twinkies or something—they’ll eat fuckin’ anything….They’re likea buncha goddamn dogs. Then you ask for what you want—an’ you’ll get it. Trust me. Sometimes all you gotta do is hold your hand out….”

“Oh, Jesus,” snorted the funny-looking guy, “I don’t believe this.”

More and more villagers gathered up on the road. I noticed that they were actually sitting in front of the tanks, strategically placing their bodies in such a way that completely obstructed our movement. Sergeant Sanders popped his head out of his convoy and cursed. He could do nothing, because Malthusian was too busy trying to see what he could see through a small hole in the wall…. “Yeah? No, Sanders, don’t do anything yet, y’all keep cool, keep cool….”

“They got us completely blocked, lieutenant. Now what the fuck we gon’ do?”

“Lissen, motherfucker,” he casually snarled, still peeping….“I’M the one in charge of shit around here, so you just fuckin’—ouch—GODDAMMIT!!

And then this filthy beige covered jeep drives up towards us. The jeep stops. It’s Colonel Dachausky. We all salute the master when he opens his door, steps out and strides over to the scene, frowning, looking strangely befuddled. Tank is raving about the blood running from his eye. The whole left side of his face is red with blood; you can’t tell whether or not they really did poke his eye out, but the colonel…. “Lieutenant, what the hell’s all this?”

“I, I, uh, I dunno, sir—ouuuuuuuch!! I can’t see! My eye! My eye! Those nigger motherfuckers poked out my eye!—”

“This is crazy,” the colonel drooled, watching all of them in his haze….“Oh, I see what the hell’s the hold-up. You got all these goddamn gooks sitting every which way all over your mother-freakin’ convoys an’ tanks. Lieutenant, get the goddamn gooks off the tanks an’ let’s get movin’, shall we?”

“But I’m wounded! I’m wounded! I can’t—I don’t even know if I gotta eye anymore!” Tank cried.

“Well, you got one goddamn eye,” the Colonel snorted, coldly watching Tank cry bloody tears….“That’s good enough to keep. See, you’re gonna haveta use some damn diplomacy, lieutenant. Flex your brains….You know, if you have ‘em! Move ‘em with your bare hands! C’mon! What the hell’d they put you out here for, anyway?”

“Oh, God,” he sobbed….“Where’s a doctor when you need one? Medic! Medic! Medic!! I can’t see out my eye!!—”

Fuck your goddamn eye!” the Colonel suddenly screamed, up in his face—then snatched his face away and strode casually back to the jeep. He picked up his walkie-talkie and mumbled some shit I couldn’t hear, and then turned right around and sped back the other way clumsily through heaps of dirt, sand and battered road. Tank turned livid. He fumed, jerked his head around, as the blood dripped from his chin. He wiped it away, gagged, and strode over to Sanders in the convoy directly behind the Black Bastard and shrieked, “Fuck it! Fuck it! Let’s do it! Let’s kill these motherfuckers!” he shouts, trying to rile us up….“Fuck diplomacy!! Sanders, get ‘em ready—they’re gonna be fryin’ some gook ass tonight if I can help it. You see all these gooks blockin’ the road here? Run ‘em over! Kill ‘em! They’ve just insulted an American! How’d YOU like it if some goddamn nigger poked you in the eye with a stick? Huh?”

“I can’t even answer that,” the funny-looking guy snorted out loud in back of me; he sounded like a white beach bum, almost. “Hey, man,” he said, nudging me, “you think he heard what I said?”

“I don’t know,” I whispered, “what the hell are we supposed to be doing now, anyway?”

“You mean in this war?”

“No, just right now, with all these women and children out there. What the hell are we supposed to do now?”

“I have no fuckin’ idea, man,” he replied, shaking his head. “No idea.”

The both of us got down off the top of the “Black Bastard” and began to amble around as we talked. I finally learned his name: Marv Manchley, of Cincinnati. Like me, he was Private First Class, and, as it turned out, he despised the war. He admitted he only came into the service because he “needed the eggs”. He never cut his hair, and in fact was trying to make dreadlocks out of them. He wore rectangular-shaped spectacles perched at the end of his nose; he actually looked very much like a North Numidian with his Semitic features, except he was so brown-skinned. I joshed to him that if he kept on growing his hair like that, they would mistake him and have him killed. “Oh, no,” he snorted, “no way. I never take my uniform off, I just wouldn’t put myself in the position of being killed by these motherfuckers. That why you joined, too?”

“Me?”

“Yeah, ‘cause you don’t look like the Marine type at all,” he said. Tell me about it, I thought. “I kept on wondering why the fuck you were in this outfit if you couldn’t get along with anyone. But I’d watch it if I were you. Just about everybody here hates your fuckin’ guts, man.”

“Oh, I could tell,” I murmured, looking around at everybody standing about, waiting for their commanders to give them the signal to push the people away from the tanks. I mentioned something to Marv about it.  “I think we should go back,” he said, suddenly, “bad vibes, man.”

Then I asked, worried, “we’re not authorized to kill these people if it comes down to it, are we?”

“Oh, yeah, we are,” Marv blurted out, to my horror…. “Not that I’m doin’ it. I’m above that shit, man, that’s not me….”

“But what if they told you to?”

“I wouldn’t do it. I’d just push them, you know, to the side. But maybe they’ll give up an’ go home, looks like they’re tiring out—”

“But how can we just kill them?” I kept on asking, idiotically. “They’re not the rebels!”

“Well, they’re in the way,” Marv murmured, “that’s all I gotta say. But with that ‘Tank’ guy around, man—you know something’s gotta give. ‘Tank’ thinks he’s still in his fuckin’ New Orleans police uniform an’ shit. Or L.A.—wherever the fuck he was, I dunno. All I know is, you can expect just about anything from that motherfucker.”

“Even the kids?”

Sergeant Sanders saw us loitering about and angrily strode over towards us. I didn’t know what the fuck was his problem, for he began violently lunging out at me, screaming, “shut the fuck up, retard! Git your ass over here an’ line up with da restuf ‘em! C’mon! Get—” He pushes Marv roughly on the back. “You, too, hippie nigger! Get your goddamn asses in line or else!”

By this time, the scene was crazy. Marines would carefully remove the Arabs from underneath the tanks and shove them to the side of the road, but for every Arab they removed, another one quickly took his place. It happened, repeatedly, until Tank literally howled with rage. Major Lewison tried to reason with Tank….there was nothing else to be done, they had us swamped. Using “force” would send the wrong message to these people. But whatever Lewison thought about the effectiveness of non-violence, it most certainly wasn’t working for us. Whenever we got out the convoys to get them off the road, they would climb inside the vehicles and fuck around. One even swiped the keys to two jeeps; another expertly cut the wires to a humvee and rendered it worthless. Indeed, they were so obnoxious that I couldn’t be sure whom to hate or who to side with—they, or these asshole Marines….

Dachausky was hardly ever seen by any of us. Still, we already knew he was at the end of his rope. He really didn’t care anymore; it was as if he’d given up all hope of ever keeping this operation under wraps so the folks back home could think of this as being nothing, just a football game. He kept little round mirror shades over his eyes as he rode around in his jeep, making sure everything was in order, like the general manager of a restaurant dutifully inspecting his dishwashers and busboys. The sounds of occasional rockets and mortar in the distance didn’t faze this hardened veteran of the jungles of Vietnam, Cambodia, Laos, and the Dominican Republic; his expertise in dealing with unruly Ay-rabs in Beirut was the prime reason why he was picked to oversee this operation. This time, Dachausky came back to say he’d summoned some “help”. The “help” hurriedly arrived in an outdated green U.S. Army jeep, a tall, gaping, sickly-looking, gangly Northerner who reputedly spoke six languages and worked for King Ahmed’s hated intelligence department. His brilliant off-white silk djellaba was unbearably bright in the harsh African mid-day sun. He cocked his maroon fez on properly and stumbled out of his jeep into the dust, a comical fool. Marv and I mocked him as he was handed a megaphone.

Huge explosions rocked the earth beneath our boots.

More reinforcements quickly arrived, in strange wide helicopters that flapped right down a few yards away from us, their propellers blowing sand and grit up into our faces and hair and eyes.  I thought they were coming to take us to Adjrar so we could stop all this stupid-ass marching and bear wrestling, but as it happened, dozens of khaki-clad, pith-helmeted and very well-strapped soldiers rolled off them. I was surprised to find that most of them were coal-black. Marv told me it was the brutal 9th Battalion. The 9th Battalion got themselves together and began to take their positions, while the peasants, immediately catching sight of the helicopters, grew even more obstinate and swelled their numbers to what seemed like a thousand or more. The sickly-looking Arab came forward and directly faced the bidonville. With a surprisingly firm, almost vicious voice, he pleaded for the villagers to remove themselves. The fellaheen merely jeered and threw stones….I sucked in my breath watching the verbal see-sawing between the sickly man and the village elders; the way they were arguing so, it appeared an explosion was imminent. But I was not familiar with the Arab-African temperament and their joy of having a great argument over nothing, for I was puzzled to see how quickly their tempers flared and died. And that was that.

The elders, adjusting their turbans and flinging their robes about their shoulders, got their people out of the road. The sickly man had done it. We al let out our war cries of relief and reassembled our unit. I was struggling back on top of the tank when I saw three jokers perched on the terra-cotta wall. One of them nudged the other, and picked up a rock and threw it at Tank’s helmet. Tank jerked around with that one wild eye; he bit his lip….

“Who threw that?” he hissed.

Corporal Jerome Gates pointed to the wall where the three jokers had once been but were now gone. Instead, Tank saw a ten-year-old boy who wasn’t on the wall. He roughly seized the boy’s arm while the other Numidians were dispersing. He gave the boy a loud slap in the face with an open palm. When one of the Arabs looked, another Arab looked, and soon all were watching when Tank pushed the boy back over the wall. They all thought he was crazy….

“They can talk if they like,” he panted, his face disfigured by the blood-soaked bandage….“‘Cause the first punk who throws another rock is fuckin’ fried meat.” Then he cuts his eye at the dispersing Numidians. Two more rocks shot out the breaches in the wall and knock him upside his head again. Marv and I were suddenly overtaken with wild, uncontrollable laughter. I clutched my stomach and fell to the ground, looking about to see if Sanders was looking….instead, I saw Tank with his head raised just far enough for him to bark:

“Okay, let ‘er rip.”

I didn’t think he was serious, but when I saw those guns suddenly being raised at the wall, I saw there was no stopping it. It sounded at first like millions of extremely loud, malfunctioning lawnmowers. The blast of guns was deafening; the stench of smoke and grit hit my nostrils; the air was filled with screams. One by one, their heads shattered in gobs of grey and pink and red; their arms, intestines, livers, kidneys, lungs spattered the wall like sludge from a sewer. My head felt like I’d been in a disco for six hours….And then I looked back, at the hands pulling the triggers, and how those hands didn’t twitch once; not a one hesitated to grind ‘em all down to shit. And then the dust cleared, and there they were, all over the ground, all over the walls, about a hundred of them, men, women and children, elderly, dead or dying.

It didn’t even take ten minutes.

*

            When it was all over, I stood guard to make sure Bedouin thieves didn’t swipe the bodies to sell them on the black market to French universities. All along I was completely flabbergasted. Did they really have to kill all of them? What was the point in all that? I thought I was dreaming, that maybe it was a horrible coda to the joke I shared with Marv. Until I began handling the corpses. One guy’s brains slid out of an eggshell of a head that had its face intact. I dropped the body, stumbled blindly over to the “black bastard” and heaved up what seemed like everything I had ever eaten. I couldn’t go through with this shit; I had to run off. This was just totally crazy….

Ben-Ounif was in ruins; it looked like a big pile of dried clay chunks. And within them were these few people, limping, bleeding, pulling themselves up from the wreckage to face “reality”—the machine guns. The Marines laughed, or cracked jokes, or vomited, turning over bodies, cutting off the left ear of dozens of shattered heads. Those men who were still alive were being herded onto military trucks; once a name was read off a roll by an Arab soldier, the “guilty” party moved, his hands tied with plastic like a garbage bag, across the killing fields, where the Arab assistants rudely pushed him in. The women and children were forced onto a bus—the refugee bus. They will go to Adjrar, where they will forget about their village, and live in the “real world” where, deep down in the filthy basements and fetid tent cities made of plastic and swimming with garbage and excrement, they will become animals—just like the rest of us.

Excerpt from “Nate,” Back House Books, 2006.

Creating The New Music

Concerning Ragtime, composer William Bolcom has said that “the classic music style of any given culture is the one that defines its basic language in a form that that culture can naturally accept as its own.” This is not only true for ragtime, but also the blues, the shouts and the spirituals and, of course, Native American music. Everything else is essentially from outside the country; however this does not mean that “everything else” is to be disregarded and rejected.

Of course, expressing a full range of emotions in music–having access to a complete palate of music colors and tonal shadings–is what makes a music great. It’s what makes it human. The music can be mystical and ethereal, or light and airy and in pastel shadings. Or in deep, dark, heavy oil colors, or somewhere in between.

The term “Funk” is just like “jazz,” like “ragtime” itself, or like “swing,” a cheap name slapped on a form of expression in order to sell it. Before the early sixties “Funky” meant filthy, low-down, smelly, degenerate. The word was rehabilitated by “funky soul” jazz musicians ca. 1960 (mostly from middle-class backgrounds) and by James Brown, whose music, coincidentally, drew heavily not only on gospel and postwar urban blues but also on swing and early jazz. James Brown’s music was multilayered and multifaceted, though certainly not on the same level as Thelonious Monk or Duke Ellington.

Many who were touched by his music only heard the funk element and nothing else. In fact most popular black music after 1970 (and certainly after 1980) had become increasingly narrow in its range of emotional expression. It became increasingly slick, sterile, superficial and repetitious, frequently even mindless. Today “funk” (besides homicidal rage) has become the only element in “black music” that one generally picks up on when one listens to it, and it is not even good “funk”–it’s worse than the corny pseudo-funk of vintage porn clips of Seka and Long Dong Silver.

Why the obsession with just this one (watered-down) ingredient? Because it’s easy, number one. It’s easy to fake. Of course, you can’t fake the funk, but untold millions of listeners these days can’t tell the difference between Hersal Thomas, George Clinton and rapper DMX. Millions of listeners these days would prefer DMX because in their minds (regardless of their racial, ethnic, or national background) he represents “authentic black music.” DMX could not even play his own skin-flute but such is the power of multinational corporate persuasion, most listeners don’t give two shits; their minds have already been made up concerning “authentic black music.”

To pop-culture squares, both DMX, Tupac and their ilk are “acceptably” black. To the Afro-Futurists and Afro-Surrealists Sun Ra is acceptably black because the Dionysian element in his music appeals to their rococo sensibilities, forgetting that Sun Ra himself scoffed at the very idea of people needing more freedom. “People need more discipline,” he said.

In reality, Sun Ra was a bit of a reactionary. He was lukewarm (to say the least) about Black Power and even about the Civil Rights struggle that preceded it. There is evidence that he was in fact a Republican or that his political sympathies lay in that region. (He was from Birmingham, after all.) As an anti-authoritarian leftist I realize that discipline is important but truthfully, people need to learn how to walk that tightrope between freedom and discipline, and not just in art.

Count Basie, Anthony Braxton, Duke Ellington is “stuff white people like.” And if white people like it, it isn’t “black” anymore. “The brothers ain’t into it,” people (mostly black themselves) will say. And the dutifully cowed black listener will listen to Florence Price or James Scott or Julius Eastman in private, lest his black peers label him a “coon” or a “honky.”

“Authentic black music,” “real” black music (in the minds of most listeners) must always be limited in its range of expression, always stuck in the night club, no matter where it finds itself. Even in Carnegie Hall or the Berlin Philharmonie, “real black music” must always carry the stink of the fucking night club, the cathouse, the strip joint, across the railroad tracks in Funky Butt Hall or the Bucket of Blood. “Funk,” even the good stuff (to be perfectly honest) impresses in the minds of those people (who wish to sell, listen to, jack off to, screw to or appropriate black music) that our music is just cheap, tawdry shit to jack off to, made by a bunch of black-faced, comic opera buffoons who are naturally happy or naturally enraged or naturally sad–all just one emotion, incapable of expressing a entire range of human emotions.

In Tha Funk, all we are left with is shit-brown, or as some ignorant coolie fuck somewhere in China called it, NIGGER-brown. People love Tha Funk because not only does it make us want to fuck, or eat, or shit, or gouge out some asshole’s nipples with a gimlet but also because it subconsciously reinforces in our minds that the niggers who made this Funk are just that–niggers.

Today’s American musician would have you think that The Funk is everything. It isn’t. The Funk always was and always will be what it is–an ingredient. When you make a fucking stew, you don’t just add hot sauce and nothing else. Who wants to eat a bowlful of hot sauce?∗

Better yet, let’s just ask the basic question: what is “funk,” anyway?

Duke Ellington described it when he placed his fingers down on a few keys and produced a dissonant chord. “That’s us,” he said. A funky chord is produced on piano by playing an F-major over a B-major note, for instance. But the trick is not to overuse it, or be so obvious with it. The Funk is something that should emerge organically.

Here in Berlin, I receive several invitations to jazz concerts and ignore the bulk of them. Usually it’s because these days, I simply don’t have the time. And when I do have the time I’m selective with whom and where I’m going to spend it. Hint: it may be at Speichers, but it won’t be at Edelweiss or the Yorckschlossen, because all I’m going to hear is the same old tired “funk.”

Very, very few musicians here are doing anything ground-breaking. It’s “nice” to see that young kids in their twenties and thirties are back into “jazz”¹ but virtually none of them have brought any new energy to the table. Whether they are mindlessly trudging their way through post-bop cliches or chug-chugging away on their banjos at various night-spots in Berlin (or Paris, New York, Amsterdam, for that matter) it all sounds the same, and it is extremely painful in the end to hear yet another tired-ass rendition of “Indiana” or “As Time Goes By.” Do we really need to hear “Indiana” again? Or, at the very least, do we need to hear it just the way Eddie Condon played it back in 1940?

The various Shout bands of the United House of Prayer have already given these so-called “jazz” musicians ample clues as to where they can take the music next–and typically, the “jazz” world has all but ignored them. When they do listen to the UHOP bands it is merely to ape their instrumental lineup (and honestly, I strongly doubt if the jazzers ever did that: the various street jazz bands one sees in urban America are just bland imitations of the worst of the New Orleans brass bands, most of which sound nasty). Very well, then: it is the jazz world’s loss.

Out of all the musicians playing today bands such as The Lively Stones have developed (over a period of four or more decades) a uniquely successful synthesis of early big-band territory jazz (think Luis Russell, Alphonso Trent, Zach Whyte, Cecil Scott’s Bright Boys, etc.) and modern gospel, neo-soul and funk harmonies. The result is some of the most emotionally powerful music currently being played in the United States. Occasionally these bands do get raggedy and repetitious, but they are rarely bad unless they go into the studio and cut commercial CDs (the shout bands have cut extremely few and nearly all of them are quite bad, compared to the almost overwhelming power they are capable of when playing on street corners.) They can roar like a herd of lions or they can be soft, sweet and gentle as lambs. At their best, their music has an almost defiant, earthy dignity, coupled with an impeccable swing that has been absent from “jazz” for untold decades. They are using a far broader palette of emotive expressions than these “jazz” circle-jerkers, who are content to run their fingers up and down their instruments as if they were masturbating rather than making music.

So-called “jazz” musicians are not obliged to keep their heads in their asses and ape Coltrane or Miles Davis for the next two thousand years. Nor are they condemned to some European-infected avant-garde oblivion by reducing the music to a series of deafening shrieks which not even dead people can tolerate. The whole postmodernist shtick of pushing the music forward to incomprehension is an obsession of French intellectuals with no ideas and even less feeling. But of course, feeling isn’t everything.

Some idiots would have us believe that so-called “black music” is all about feeling and rhythm and soul. We have been over this ground a billion times and Anthony Braxton has said it better than I can. To sum it up, the obsession with “black feeling” is implicitly reactionary, even in a revolutionary posture a la Amiri Baraka. Baraka is a writer who I greatly admire (and count as a major influence on my own writing). Yet in his many writings on this subject posited that black music was all about the soul and feeling. Yeah, fine, but what about the intellect? Sun Ra himself would have thought otherwise. Is head music only for Apollonian Europeans (who never existed, when you think about it) and the “soul music” only for Dionysiac (read: emotional and primitive) Africans? Really?

Alain Locke, writing in the 1920s, saw the matter somewhat differently:

The characteristic African art expressions are rigid, controlled, disciplined, abstract, heavily conventionalized; those of the Aframerican—free, exuberant, emotional, sentimental and human. Only by the misinterpretation of the African spirit, can one claim any emotional kinship between them—for the spirit of African expression, by and large, is disciplined, sophisticated, laconic and fatalistic. The emotional temper of the American Negro is exactly opposite. What we have thought primitive in the American Negro—his naiveté, his sentimentalism, his exuberance and his improvising spontaneity are then neither characteristically African nor to be explained as an ancestral heritage. They are the result of his peculiar experience in America and the emotional upheaval of its trials and ordeals. True, these are now very characteristic traits, and they have their artistic, and perhaps even their moral compensations; but they represent essentially the working of environmental forces rather than the outcropping of a race psychology; they are really the acquired and not the original artistic temperament.

The whole “black soul” trope sounds suspiciously like the same crap regurgitated endlessly throughout the 20s, 30s and 40s by slumming whites who thought that Cab Calloway, Fats Waller or the Mills Blue Rhythm Band (in performance mode, that is) were perfect expressions of everything inside the Negro Soul. And we all know that the Black Man’s Soul was and is a White man’s artifact. One can’t create a revolution in the culture while adhering to self-concepts that were fashioned by people who still think that we’re monkeys.

But perhaps at a very basic level the essence of African diaspora music globally is “the same,” and the difference is in the details. Taking Locke at his word (and it seems fair that we should do so) African musical concepts are generally far more rigid than our own. So-called “African music”–to cite one example out of thousands, the music of the Wolof, or that of the Ashanti–has fixed rules. In Ashanti musical ensembles you play your part and if you must deviate you must do it within the context allotted you–otherwise, the musical spell is interrupted. You can’t just play any old goddamned thing that pops into your head and then try and blend it in with the rest.

Of course, such a thing might be entirely possible in New Afrikan music providing one has an intuitive understanding of what is being played. Freedom–but within discipline. Albert Murray and Ralph Ellison said as much concerning real Swing music, which, ironically (because many critics, including Baraka, condemned it as whitified, commercialized and bourgeois–and much of it was, truthfully), comes far closer to the African musical aesthetic than free jazz. So does the music of King Oliver, as well as James Brown. Both were known to be iron-fisted disciplinarians in rehearsals.

The African music is a classical one, like the European, the Asian, the Middle Eastern, or South American. The African American music has a classical side, too, but it is persistently overlooked, largely because it doesn’t really sell. Nobody is really going to buy Leon Bates, Orbert Davis, Reginald Robinson, John Reed-Torres or the Fisk University Jubilee Singers to the degree in which they’ll gleefully gobble up Jay Z’s simple-minded “Story of O.J.” Because the sad truth is that your average African American’s tastes in music are generally just as vulgar, just as tawdry and frivolous as your average white Yank. And that’s because your average African American is just that–a Yank.

Naturally, all of this has to change. Our new music can no longer confine itself mentally to dingy nightclubs and to The Street. We can’t keep on putting out frivolity and trashy, tasteless, corny shit because “everyone is into it,” or because it pays well. Today’s pop music is even worse than the cheesiest disco, worse than 80s synth-driven, obnoxious coked-up New Wave trash. To create the New Music, one has to find the aesthetic strains that bind together the low (so-called “pop”) and the high. Whatever has value in pop music, one can use it and throw the rest in the trash can. Whatever has value in neo-soul, one can use it; whatever sounds that can blend in harmoniously with the new musical stew, it can go in. Otherwise, keep it out.

No audience for the New Music? Find the fucking audience. Forty years ago very very few people wanted to hear Hip Hop. One hundred and thirty years ago ragtime was unknown outside of cheap saloons and bordellos. Today ragtime is our basic musical language and one can’t find a patch of earth on the planet in which hip-hop, the retarded great-great-grandbaby of ragtime, isn’t being blasted from an iPhone.

Yes, that’s right. Hip-hop is essentially ragtime syncopation with words and not notes. John Legend’s “Where Did My Baby Go,” which was enormously popular, is essentially a ragtime song with the rhythm shifted to a “Latin” beat. In fact, it sounds almost as if it had been written partly by Louis Chauvin, Fats Waller and James P. Johnson. You can’t hear this unless you play it stride style on a piano.

The New Music has to be somewhat nationalistic. I hate to say “nationalistic,” but at this point in time we need nationalism in our culture to beat back the fog of a fake neoliberal “multiculturalism,” as well as the fog of pseudo-nationalist “identitarian” racism. We need African American nationalism in the New Music in the same way that Chopin put Polish nationalism (by way of mazurkas and polonaises) in his “New Music.” The aim of Chopin and other European musical nationalists was to break the stifling mold of an increasingly bland, characterless pan-European Classicism in music, in which the folk melodies of oppressed nations such as Poland, Hungary, Czechoslovakia, etc., etc. were almost completely absent. The “Classical” music of Europe reflected the bloated faces and rococo sensibilities of the Hapsburgs, not those of the various peoples under the Hapsburg heel. One anonymous listener made an interesting comment concerning Chopin’s Grand Polonaise: he said that the piece was a conscious expression of the Polish people’s struggle for freedom. I agree.

Our New Music must reflect our own folk sounds and anything else we can incorporate into the Music that gels with the basic folk sounds. The Music must reflect the struggle to liberate ourselves under the dead weight of a fake corporate “international” sound designed to put people to sleep under a fucking ecstasy haze. This pseudo-music we should seek to destroy is the soundtrack of hipsters and the bullshit neoliberal/neofascist/alt-right pseudo-democracy they thrive in like weeds.

And when we make our music, we do it right. Not in a stupid, heavy-handed Commie way, or in a brutalist fascist manner, but in our new classical manner. Classical doesn’t mean wearing a tuxedo and picking up a fucking violin. That is not our classical form. If you don’t like the old “classical” forms then create new ones. You can even utilize Rap, too, but be prepared to shatter every single definition and rule as to what Rap is supposed to sound like. Rap is a painfully limited art form; it doesn’t express much more than junior high school machismo. It’s like a squirt of jism–once it’s out there, that’s that. Even their politics are suspect because of their lousy self-presentation: when Snoop Dogg shits on Donald Dumb-ass, he does it in the same old tired way–as a clownish, comic-opera negro. When Eminem shits on the Orange Honky he is no different: a hip, violent Al Jolson sans blackface.

Snoop Dogg wants to Make America Crip Again. I say: a curse on both your houses–the White House and the Hip Hop House. The Hip Hop House is obsessed with cocaine, money and fat white women. The White House is obsessed with power. Both are dead set upon keeping Black American Music in the lowest and most obscene state imaginable. In their empty heads the minstrel stage is the end-goal for our music; after that, the gas chambers and firing squads will be activated. Even when their “rap” is allegedly radical it still makes the Afro-American look like an ignorant savage. We don’t need this. Get Afro-classical; get back to the roots.

*

 

∗It is not enough to simply sit around talking about how much Rap stinks, or that The Funk is just simple-minded, repetitive droning on one fucking chord, with no real feeling (one can’t fake real funk, you either get it or you don’t. If you don’t get it, don’t play it: play Chopin instead.

(On second thought, don’t play him, either. Or Beethoven. Because in both of these players there is a discernible “proto-funk” or better yet, borderline-funk sensibility: listen to Grosse Fuge by Beethoven or Nocturne in F-Sharp by Chopin. And definitely leave Scriabin’s Vers La Flamme alone.)

¹It was fascinating for awhile to see millennials getting back into jazz, even traditional jazz. Anthony Braxton might see it otherwise, as concomitant with political reaction. The truth is a bit trickier than that. Yes, the return of swing music in the 1990s heralded the disasters of the Bush Regime and worse things to come, and to be honest, not a single one of these goofy bands was playing anything close to what real swing music was; none of them possessed the true musical sensibilities that made the best so-called “big band” music, such as that charted by Don Redman, Benny Carter, Fletcher Henderson, Eddie Sauter, Jimmy Mundy, Melvin “Sy” Oliver, Patrick “Spike” Hughes, Eddie Durham and many others. None of them possessed the musical skills necessary to tackle a difficult piece like “Chant of the Weed” or Coleman Hawkins’ atonal “Queer Notions.” “Stop Kidding,” a notoriously intricate John Nesbit arrangement written in 1928, would be completely beyond the powers of the overwhelming majority of today’s so-called “big bands.”

A Slightly More Modest Proposal

For the containment and selective eradication of so-called BIE (Black Identity Extremists)

 

by Dr. Milton Milquetost, Director of Denegrification Department, F**** C***** I*******, Washington, D.C.

Note: this modest proposal analyzes the poverty and anger of specific members of the population in question: African-Americans, popularly known as “niggers,” “spooks,” “coons,” “monkeys,” “apes,” “baboons,” “jungle-bunnies,” “tar-babies,” “quashies,” “spades,” “ink spots,” “sambos,” “Negroes,” “coloreds,” “basketball-Americans,” “spearchuckers,” “moon-crickets,” “jenkem-sniffers,” “groids,” “nigras,” etc.

In light of the revelations that BLACK IDENTITY EXTREMISTS pose a unique and grave threat to the established order of the Republic, we of the F***** C***** I*****¹ have offered our own unique proposal for the containment and eradication of this said threat.

It has been discerned that the African-American population is widely held in contempt by the general population of the United States (and by not inconsiderable number of people throughout the world). That this contempt is largely a result of systemic indoctrination through the U.S. media (e.g., Hollywood, Madison Avenue) is a matter which does not concern us here. Entire tomes have been written about the plight of the Negro/nigger/ape/coon in the United States (and elsewhere, but for the sake of conciseness we shall concern ourselves entirely with the American Negro/nigger/coon/ape). In these texts we have discerned certain incontestable facts:

  1. that the black* in America is still largely segregated due to his race and ethnic background, and that this segregation is all-encompassing;
  2. Has restricted access to meaningful and gainful employment which would allow him (especially the males) to earn a living wage;
  3. The extreme difficulty of obtaining gainful employment due to previous convictions;
  4. Social conditions, such as the disagreeable emotional reactions of non-blacks to the presence of blacks in eating establishments, bathrooms, shopping malls, churches, mosques, temples, synagogues, etc.; the widespread reluctance of non-blacks to eat, work, live, drive, play and intermarry (in the majority of instances) among blacks, generally due to indoctrinated fears
  5. Relentless stigmatization of blacks;
  6. “Colonial mentality” (see Fanon), “plantation mentality,” subsequent and largely justified collective paranoia which often manifests itself in grotesque fantasies (so-called “urban legends”): the “Lynch Letter,” which never existed until c. 1973, and is a proven fraud. Nevertheless, the history of slavery and Jim Crow is still one that the black has yet to overcome, and manifests itself within the group with widespread obesity, high suicide rates, high infant mortality rates, high homicide rates, high rates of incarceration, drug usage, STD infection, diabetes, stroke, heart disease, hypertension, police abuses, racist attacks, schizophrenia and other forms of mental illness, self-contempt, class and even color divisions to a degree unheard of in the general American population, and correspondingly low rates of college attendance, business ownership, home ownership, employment, marriage, etc.
  7. It has been noted that the considerable creative drive that spurred on the black to create ragtime, blues, the spirituals, jazz and other forms of music (which have been justly acclaimed the world over) has been sorely depleted as of late. “Thug rap” and endless regurgitations of generic sixties “soul music” are virtually the only forms of music that this group can come up with in the 21st
  8. Likewise, the black seems to be content to be defined as a “thug,” or a “bitch,” or “skeezer,” “chickenhead,” “ratchet” (aka “wretched,” possibly a reference to Nurse Ratchet of Ken Kesey’s One Flew Over the Cuckoo’s Nest), etc. Our media has defined and pictured the male members of the group as big burly negroes, black bucks, coons, pickaninnies, apes, etc., and the female members as whores, cunts, strippers, obese freaks, etc. It is mind-boggling to think that any group of people anywhere in the world would choose to define themselves strictly according to the xenophobic fantasies of an ethnic group which hates them, as we clearly (though not admittedly) do African Americans. Yet such is the case with the blacks of this country. It is a situation genuinely unique in the history of mankind.

In spite of the aforementioned situations we still find the African American—in the generality—to be childish, obnoxious, doltish, ignorant and primitive in his thinking and behavior. While acknowledging centuries of systemic dehumanization and depersonalization from Anglo-American cultural and political domination, we must also realize that the race problem is indeed a drain on the national purse and a burden on the collective conscience of the United States. It has, more often than not, manifested itself as a physical threat, largely due to the astonishingly high rates of crime among the African American lumpenproletariat.

The African American elite have a substantial amount of capital at its disposal. However, this is a lazy and unproductive class, as outlined by Fanon (Wretched of the Earth). The African-American elite exhibit all the foul and socially perfidious traits of Third World elites. See Fanon: the bourgeois phase is a useless phase. This useless bourgeoisie, seen in hindsight, would function merely as parasitic classes were it to declare independence from the American republic and set up its own state somewhere in the US. The egregious example of Liberia, to say nothing of Sierra Leone—two failed African states founded by repatriated black Americans—should serve as a dire warning. Because the African American is clearly still functioning—albeit mentally—as a slave, it would be ludicrous to expect of him to function as a politically independent entity. He is a slave—period. It makes no difference whether we were his enslavers in America or whether other Africans enslaved him in Senegambia or Benin or Dahomey. It has proven too costly to this republic to extricate the African American from his slave mentality. All attempts to educate the African American according to Western norms have largely ended in spectacular failure, and it has been noted that even educated blacks are still burdened by pathologies induced by slavery. We must reiterate that it was indeed we who imposed this slave mentality upon him, that our social conditioning has depersonalized him. This depersonalization was unintentional. However, this is entirely beside the point.

We must admit that our experiment in “multiculturalism” (concerning blacks) has not worked. The long-term consequences of importing millions of Africans from various nations of the African west coast—many of whom were enemies of one another—were not foreseen by the Founding Fathers, who insisted upon viewing the African American as “three-fifths of a human being.” Clearly this is not so—the African American, by all accounts, and judging solely from the historical evidence provided us, is very much a full, 100% human being, capable of the highest human achievements. This has been amply illustrated by such illustrious niggers as Frederick Douglass (one of the most eloquent men of the 19th century), Booker T. Washington, Henry Highland Garnet, W. E. B. DuBois, Scott Joplin, Will Marion Cook, Countee Cullen, Sissrietta Jones (aka “Black Patti”), Leontyne Price, Miles Davis, Louis Armstrong, Roy Eldridge, Francis Johnson, Benjamin E. Mays, Benjamin Banneker, Jelly Roll Morton, Edmond Dedé, Muddy Waters, Ida Cox, Bessie Smith, Chano Pozo, Fletcher Henderson, Joseph “King” Oliver, William “Bunk” Johnson, Freddie Keppard, James Reese Europe, Alain Locke, John A. Williams, Buddy Ace, Ann Petry, Mary McLeod Bethune, Langston Hughes, George Washington Carver, James Weldon Johnson, J. Rosamund Johnson, Dizzy Gillespie, Hazel Scott, Jackie “Moms” Mabley, Piri Thomas, Antonio Maceo, Charlie Parker, John Coltrane, Sun Ra, Eddie Murphy, Bert Williams, Eubie Blake, Luckey Roberts, R.Nathaniel Dett, William Wells Brown, Albert Nicholas, Nicholas Gullién, Ollie Harrington, Jacob Lawrence, Romare Bearden, Henry Ossawa Tanner, Gladys Bentley,  Augusta Savage (who designed the “Roosevelt Dime”), Scott Hayden, Wynton Marsalis, Sojourner Truth, Coleman Hawkins, Lester Young, Charles Lloyd, Redd Foxx, Jamie Foxx, Clarence Williams (the first and third), Ida B. Wells, William Wells Brown, James Brown, Son House, Tom Turpin, Louis Chauvin, Artie Matthews, E. Franklin Frazier, Ralph Ellison, Richard Wright, Shirley Chisolm, Nina Simone, Bill Cosby, Richard Pryor, Bobby Short, Curtis Mayfield, Run DMC, Sammy Davis, Jr. (Jew), Bill “Bojangles” Robinson, Jackie Robinson, Smokey Robinson, Reginald Robinson, Aaron Diehl, Gordon Parks, Jr., Eartha Kitt, Michael Jordan, Muhammad Ali, George Foreman, Jack Johnson, Venus and Serena Williams, Benjamin O. Davis, Jr., Roberta Flack, Arthur Ashe, A. Philip Randolph, Josephine Baker, Jesse Owens, Duke Ellington, Martin Luther King, Jr., Malcolm X, Assata Shakur, Tupac Shakur and Stepin Fetchit. Inventors Granville T. Woods and Lewis H. Latimer were instrumental in the development of the modern light bulb; Latimer’s innovations in particular—the perfection of the cotton filament—made the light bulb a viable option to gas lighting. Elijah McCoy’s inventions were reliable enough for one to coin the term the “real McCoy.” Dr. Charles Drew’s contributions to modern medicine are indispensable. Even today, the renowned Neil DeGrasse Tyson is, as members of this ethnic group would so aptly put it, “doing his thing” in the field of physics.

However, we reiterate: all of this is entirely beside the point.

The behavior of the black American is best understood when seen within a colonial framework. In this instance, the mystery that shrouds his/her behavior ceases to be a mystery.

We had deduced that the so-called “black problem” or “Negro problem” is basically insolvable, save for a radical restructuring of the American socio-political order. Such a restructuring would result in chaos. Consider the conflagrations of the former Yugoslav republic, or French Algeria, or the current morass in the Middle East, for instance. Since the African-American elite isbasically uncreative and unproductive, the middle-classes struggling merely to stay afloat, and the underclasses continually committing random crimes against the general American population, it has been suggested by us that these primitive people simply be contained. The containment process would be conceivably costly but the long-term results of non-containment would mark the end of our republic as we know it.

Indeed, as Fred Reed, American iconoclast and internet blogger has aptly put it, we have the feeling that some people are simply more useful than others.

Our continuing “exploitation” of the African American at the current rate would inevitably result in total civil/social/political breakdown, and subsequently economic catastrophe. Adolf Hitler had outlined in Mein Kampf that the Jew was a rootless, cosmopolitan parasite and a drain on the German economy and a blot on the German soul. Celine, in Les Beau Draps, had suggested urns for the Jew, the Oriental and the Negro. Monseuir Fragonard, writing of the Algerian, and most recently Thilo Sarrazin of Germany has suggested that the criminal Turkish population be deported; likewise for Oriana Fallaci’s Rage and Pride, in which she suggests that Somali and Moroccan hoodlums get disposed of in the canals of Venice. Easy for Germany, or even benighted and incompetent Italy, but not so easy for we here in the United States, where we are saddled with 40 million chronic malcontents who have been so thoroughly depersonalized by their inability to adapt to Anglo-Saxon cultural norms that they have become a global threat.

A global threat, since the Anglo-Saxon norm is the global norm, for better or worse. We are not at all suggesting a return to Anglo-American, old-fashioned imperialism of the Roosevelt/Saxe-Coburg variety. We do not find this desirable. However, as it has been said, “the show must go on,” life must continue. We must acknowledge reality and be reasonable and forego romantic notions of swift social/political change for pragmatic solutions to America’s domestic ills. Many, if not most, of those ills originate with the black population of the United States, and to a slightly lesser extent the Latino population, commonly known as “beaners,” “spics” and “wetbacks.”

However it has been found that the Latino population is more industrious and makes more contributions AT PRESENT to the American economic well-being than does this black population, which prefers to wallow in collective self-abnegation and even goes so far as to destroy any member of this population which attempts to pull itself out of its physical/psychological misery. Barring the Puerto Ricans or Dominicans, who have been defined jocularly as “niggers who can swim” or “negritos de Español,” or the towelheads, or the equally useless white rural lumpenproletariat (aka “trailer trash”), we know of no other ethnic group who is so destructive to the overall fabric of American cultural life.

Booker T. Washington defined this as “crabs in a bucket.” James Baldwin spoke of the “profound, almost ineradicable self-hatred” of the African-American. It has been noted (see Herbert Aptheker’s “Slave Revolts”) that every instance in which the black slave has attempted to strike out for freedom, he was betrayed by a subservient “Uncle Tom.” The massive slave revolts of Jamaica, Brazil and Haiti were unthinkable in the United States.

However, we must be pragmatic. The effects of “exploitation” (and ours is a society—like all others—founded on a certain degree of what liberals term “exploitation”) are not so easily eradicated. We cannot continue to let past mistakes in racial/intra-ethnic relations burden us. If we do so we will be condemned by our children for perpetually walking in the shadows of our ancestors. We suggest a series of proposals to deal with the crisis in race relations in America:

  1. Walled cities. These are more effective than one thinks, considering the effectiveness of the Berlin Wall. Of course, there are also the probabilities of blacks escaping the wall, so we suggest another: deportation to semi-abandoned cities such as Detroit or Camden, and using depleted uranium to help depopulate said areas.
  2. A more pragmatic proposal is simply to accelerate the dehumanization of the African American by simply admitting to ourselves that he is, indeed, an animal. By turning him into an animal, by completely stripping him of his humanity, we no longer have to burden our conscience with what we might do to him. Rest assured that what we will do to him will have far-reaching and ultimately beneficial consequences to humanity the world over, particular in those parts of Africa still suffering from food insecurity.
  3. Our ultimate suggestion is to reintroduce public lynchings. In this instance, the lynching of the African American will be a legalized and controlled affair and not simply a mob assault. Furthermore, police beatings of African Americans, whether in prison or outside of prison, should by necessity result in the death of the African American. The corpse of the African American can be properly disposed of without fear of international obloquy—in this instance, as food. Many Africans have been known to be cannibals, so selling this African American meat—in particular, the illegitimate offspring of black women—to starving Africans for a pittance should help immensely in alleviating hunger in Africa and other parts of the world currently afflicted with food insecurity.
  4. For those of a more discriminating palate, certain brand names would be helpful in discerning high-grade nigger meat. A “Fats Waller” would have a certain light piquancy and go easy on the stomach, and preferably seasoned with lemon, dill and white onions. Meat should be cut from the middle thigh, through the bone, into T-Bone Walker steaks. Serve with mint juleps. A “Tupac” would be best served as a strip of steak, the meat removed from the flank, smoked with hickory over a low-burning flame for three months. The resulting meat should be sliced against the grain, between 1 and 2 inches thick and carefully marinated in Schlitz malt liquor overnight, then garnished with Louisiana hot sauce while grilling. The resulting taste is tart, hearty and slightly chewy. A “Foxy Brown” calve of a negress should be removed carefully at the joint. Since the meat of a negresses’ calf is generally rather thin, plump calves would necessarily be in high demand. The meat should serve up to three. Preparation: bathe in brine before smoking with hickory and dried fruits for up to 3 months. Cooking with bitter chocolate and red wine is preferred for those with rather romantic tastes. The meat should be tender and almost melt in the mouth, somewhat like braised lamb. Serve with Chardonnay and couscous. (Also: the James Brown, for those with the toughest stomachs, very hot sauce and highly spiced in the Ibo Nigerian style, with lots of peppers and a dash of soy sauce, since most African American meat is not of pure stock. Preferably very rare; well-done “James Brown” tends to be rather chewy, since it has plenty of fat streaks.)
  5. Jewlattos, or The Sammy Davis.The Jewlatto stock should be prepared in the Kosher fashion. Note: do NOT kill the Jewlatto livestock with such generic rat poisons as Zyklon-B or by gassing. This will render the meat inedible. First club the Jewlatto in the head; try not to agitate it with racial epithets. Then slit the Jewlatto’s throat at the jugular and hold it near a drain. Do not listen to it when it starts making noises about “holocausts” or “lynchings” or other such nonsense. Jewlattos are known to combine the worst traits of black and Jew in one body and soul—containing all the tartness of the black and the mental edginess of the Jew. However, Negro-Jewish meat, because it is generally raised in superior social surroundings, is usually of the highest class. We have tasted this meat and the author, for one, finds it tastes much like a cross between mutton and pastrami. It has an unusually musky aroma. Serve with Manschewitz and/or egg cream, rye bread and pickles.
  6. Blasians, aka Tiger Woods. Best served with wasabi and Barbeque sauce. Meat tends to be rather stringy with a somewhat smoky taste. We cannot entirely explain why this is, since Blasian meat is generally soaked in vinegar rather than smoked.
  7. Black Muslims, and/or Afro-Arabs, aka Farrakhanesque. Follow advice of number 5. Halal preparations of food are a must. Hardcore Nation of Islam followers who don’t smoke, drink, do drugs, fornicate, or eat pork generally produce very high grade meat. The females of this species makes excellent ground beef, especially when spiced with coriander, ginger and cardamom. The liver and kidneys make delicacies; the jowls, when sliced, make a perfect alternative to pork bacon, as they generally are crisp when sliced then and fried.
  8. Black/Irish, or The O’Neal. As can be expected, a piquant corned-beef flavor is usually yielded. Marinate with Wild Irish Rose over an open grill. Especially fun during lynching bees. One must use caution when cooking this meat since it tends to smoke heavily. The light “Ronald” meat has a slightly blander flavor than the darker “Shaquille” brand, which is tougher yet very strong-flavored, very similar in taste to Smithfield ham.
  9. Black Latinos, or Blatins, Blatinxs or Blatinos. Very tender and yet very spicy. The meat tends to be very lean and burns quickly, so it is best to cut into strips a la Tupac and served like New York steaks. The Pele is a must-try–it’s got a kick. The Del Rio is best served at dinner and between consenting adults, preferably with candlelight, oysters and pineapple juice, as it has shown to be a marvelous aphrodisiac. This is hardly surprising since Blatins are known to be the most oversexed people on the planet–even more so than the so-called “African-American.”
  10. Much of the fatty and coarse grade of negro meat comes from ghetto/project stock, and this can be sold at cut-rate prices to starving Africans, or even given away gratis.
  11. We are not at all suggesting that African Americans be exterminated. This proposal is simply a method of containment. Extermination naturally means destruction of valuable livestock, and it is crucial to the well-being of our society that African Americans, from the degenerate elite to the violent sociopathic underclass, are at least of some good use.
  12. Of course, nigger-hunts should be encouraged. When niggers are hunted for sport, it must be remembered that the meat, unless it is diseased by HIV infection (and naturally cooking the nigger meat will not kill the virus), can be sold for a decent price.

 

¹Fucking Cannibal Institute

*since there are many terms to describe this designated ethnic group, most of which are considered by said group to be grossly offensive, we shall stick to the term “black” as a matter of convenience. However, it has been noted that many members of the aforementioned group prefer “black” as opposed to “African-American,” which requires seven syllables to pronounce.

American Book Award-winner “NATE” Being Reissued in November, 2017–on Kindle

From Ishmael Reed: “I enjoyed reading NATE so much that I read scenes to anyone within hearing distance. P. Lewis is an original talent whose English cuts through a lot of contemporary BS like a butcher knife. His characters don’t give a flying F- whether you feel for them or not. It’s important that a powerful novel such as this surfaces at a time when the black lit. scene is being smothered by a lot of dumb frivolous chick-lit and down low scribbling. Anybody want to know where the kick-behind black male literary tradition of Himes, Wright, John A. Williams went? It’s alive and well in Berlin.”  

From Darryl Dickson-Carr: “A brutally funny novel satirizing diverse subjects from American military misadventures, African-American cultural politics, to the chaos of contemporary American life. Like the protagonists of Nathaniel West’s The Day of the Locust or Ralph Ellison’s Invisible Man, the eponymous hero, Nathan James Morris, is a classic picaro, a naive everyman and would-be artist whose foolhardiness shows us more about American life and the human condition than would seem possible in one novel.”

 

My second novel, Nate, won an American Book Award in 2006. A lot of people have been asking about this novel and how they can get their hands on it. I’m putting out an e-book of it in November, and the following year a CreateSpace version will be available on Amazon. (That’s the best I can do right now.)

Also keep an eye out for my third novel, Berlin Asylum, in the Spring of 2018. The both of them will certainly raise eyebrows. 

So for a little taste of the novel which rubbed black middle class sensibilities the wrong way, read below…

_____________________________

Chapter Thirteen

Imagine yourself entering Robeson Hall, early in the morning, hungry, exhausted, unwashed, your brain inundated by everyone’s wild screams. Look into their faces as you pass: there’s your story. They make you reach for your revolver. The coeds are everywhere, with plenty of time on their hands and nothing to do except sit on the stairs or slump against the walls and around the soda machine or filling up the lounges and the bathrooms, eating, drinking, playing their radios; they look so charming and luscious, like JET centerfolds—you’d love to have them dangling from the end of your dick—until they open their mouths, roll their eyes, and look at you. They BREATHE hostility and contempt. It oozes like sweat from every pore of their over pampered skins.

They look even more brutal than the 34th Vandal’s worst MP’s. They look ever more mercenary, more cold-blooded, more hostile, and often, they even strike you with terror. I listen to them speak; it sounds so affected, so childish, I can’t believe what I’m hearing. Absolutely superficial. But they seem contented enough with life—so whenever I see one of those cute, cuddly coeds coming up my way as I pass through the lobby to see my name on the Dean’s List—after licking asses and not getting my due for it—I deliberately let the door fly into their face. Some of them are scared of me; others resolutely hostile, though I haven’t been attacked—not yet. “Dirty black-ass motherfucker!” one cute coed clucked when I hurled the door in her face.

I shrugged. Why bother with manners if it doesn’t help?

I’ve got fifteen minutes; no assignment is due in Professor Spade’s class, so I don’t even know why I’m wasting my time here. I hadn’t been doing any homework for a week, anyway, I couldn’t concentrate. I could always do my artwork in the studios, but I had to be careful lest one of the students broke in and stole my work and fixed his or her name to it—something that happened all the time. And Leopold Spade—I finally admitted to myself, with some deliberation, that I genuinely hated him. He is one of the few people I’ve ever truly despised. I didn’t want to admit this at first; I wanted to accept his arrogance for something other than just crude hostility. Besides, I had heard from so many people that Spade really admired my work and “had nothing but praise for it”, so I couldn’t figure out why he was being so cool and nonchalant. But I was still young; I had a lot to learn about C.S.U. art instructors.

Designers, without exception, are assholes, sociopaths, egomaniacs and insufferable windbags. And there is no design teacher without a record-book full of failures and withdrawals and these sudden, strange disappearances (“incompletes”) so common amongst Coon State art students. Whenever Spade shows up in class or up the hall, every one of the freshmen groans in disgust as he whistles his self-satisfied, dreaded ass off.  Worse still, he shakes down every cunt in the classroom. At the end of each class (like at the end of his dick) all the girls hover around him like mosquitoes, chirping and cooing lasciviously: they being women, he can pass them with an “A” if he can fuck them. That’s how he shakes them down, the bastard. But he occupies an enviable and almost eminent position in the local art community. He’s gracious, so I’m told; he’s helped many a career, he’s so fucking concerned about “his people”, a man of the streets, a block boy bathing in a tub of champagne. All of which doesn’t explain why he refuses to give me an “A” or “B”, no matter how much time and effort I put into all the work I dish out to him.

Fortunately, there was a godsend seated at the far end of the classroom. I remembered her face very well—her chestnut-colored hair, long sexy legs, almond eyes, puckering lips, slender build did not escape my memory. It was Maya Arschloch. The one Marcus disdained because he said she had a “svelte” ass. At first, I was highly suspicious—I thought she was some agent sent by the consulate to have me jugged. But when I broke the ice with her I found she knew nothing of my desertion. Solid, I thought. The girl had quit the goddamn consulate two days after I called up sick.

“I was wondering why you never came back,” she said, sipping a soda through a straw. “Hell, I decided to take off myself. The nerve of you guys working there, talking all that trash about us! Especially you, Nathan.”

“Me?”

“Yes, you,” she said, “Because you’re so much better than the scum who worked there!”

“Safiya and Khalida were scum, too, you know,” I insisted.

“Yeah, but MARCUS?! I mean—damn! He was impossible. And such a fucking racist, it was incredible. He was always looking through my things—I don’t know why, unless he was looking for nude pictures or some shit. Oh, my God, Nathan,—look.”

“Where?”

I followed her finger to the man seated two rows away from us, three seats from the wall in back; his bespectacled face was filled with bruises, his hair uncut, his sport coat scuffed. “That’s onea my old boyfriends,” she told me— “you think all that stuff about him is true?”

“What stuff?”

“Didn’t you hear the rumor that he’s a male whore, and he supposedly sucks people off for forty dollars a pop? That’s—Sellers! Guy Sellers!” She gasps…. “Oh my God!”

I swear I felt my hair stand on end when she said that. But, thanks to Christ, that was NOT Guy Sellers—the man just looked very similar, that’s all. He was medium-to-dark, like Guy was; his eyes were full and round like his but, thankfully, they were grey. Never minding this strange Guy impersonator, however: some voice just outside the classroom provoked an even greater feeling of dread: Professor Spade. Guy, after all, was just a bad memory; this motherfucker was real. And he never looked more ominous when he strode into the classroom.

We all quickly fell silent.

Spade was a dark-skinned, balding man who wore round mirror shades. He had an angular face with a thick nose and a smug, tight mouth. He looked like a fucking murderer. I bade hello to him, just to say something, maybe to get on whatever good side I still thought he possessed….but Spade said not a word. He drew up his shades, took them off, and then briefly landed his eyes on me.

He stood there looking at me in a very unpleasant way. It was a strange look of disdain, the kind of look I once found in the eyes of some hateful corporal. Whatever the hell was eating him up, I knew I had nothing to do with it.

“Someone’s been smoking in here,” he said, coldly. “Was it you, Mister Lomax?”

“No,” spits the battered-faced nerd from the rear in a muffled, weak, self-conscious voice.

“Excuse me, I asked you a question, so I’d like for you to answer it, please,” he then snorts, pompously.

“I said  NO,”  Mister Lomax snorts in anger, “I didn’t smoke in here. I don’t smoke, sir. You know I don’t!”

“No, Mister Lomax, I DON’T know that you don’t smoke, thank you—for your information. You know,” he adds, icily, “you should learn to show me some respect when you walk in here next time.”

Spade takes out his stool and sits on his bony ass while Mr. Lomax looks at him perplexedly. Today the bastard is in a strange rage, and he himself admits to it. He pompously sniffs the air, and looks at me again. Uh oh. I know what he’s going to do, what he’s going to say. I’ve heard it for the past year already.

“So, Mister Morris,” he continues, laying his things out on the table, “it seems you finally decided to come to class again and take this course for a third time?”

“Yeah,” I said, “I need to. That’s the only reason why.”

“You WHAT?!” he suddenly spat, jerking his head up so vehemently it frightened even me. “Well, I….I said—”

“You said you needed credits, is that right? That’s what I THOUGHT I heard you say! Is that right?”

Everyone was looking at him and I, scratching their heads….

“Yes, I said that,” I stammered, looking into his hard eyes, “I….need them to pass. To graduate.”

The students, Maya included, found my mumbling and fumbling very funny. Spade took his goddamn eyes off me for once, and scanned the class with them. “You must be joking,” he suddenly said. “Hand in your assignment, Mister Morris. I want to see what you’ve done that makes you think you’re so damn tough.”

I looked askance at him. “I didn’t say—”

“Hand in your assignment, Mister Morris,” he snapped. “NOW.”

I dug it out of my bag and made it over to his table, almost feeling as if I hadn’t really left the military. Spade looked at it, over and over, up and down; Maya was sulking in a corner flashing nervous grins; Mister Lomax was looking up at the ceiling, and then at me—he put his finger to his head and “fired.” I know, my eyes tell him, you don’t have to tell me a thing.

“Morris,” Spade shot, “tell me, what’s so damn great about this thing? This stinks!”

He hurls it on the table.

“This is slop, Nathaniel Morris. SLOP. What makes you think you can say what you said an’ just—you know….”

“Say about what?”

“You know what I mean, Mister Morris,” he shot back.

“I think you’re nuts,” I mumbled out loud.

Spade looked up at me once again. “I know I didn’t hear Mr. Morris say what I thought because if he did, he’s not going to find being in this class a very pleasant experience at allllllll.” He cocks his head. “Let me clarify myself, Mister Morris. You—I find you very disrespectful to all the people in this art department. VERY disrespectful.”

“You told Lomax the same thing,” I grumbled.

“I’m not talking about Carl, sir, I’m talking about YOU.”

“But what the hell did I do?”

Spade took a deep breath, shook his head, and sat down. He flopped some papers down on his table; he looked over them for a long time. I couldn’t figure out what his damn problem was myself. “Morris, this is a D-minus,” he snaps, tacking a sheet of paper onto my assignment—the one I’d slaved on all night, the one I had swimming in my head for so long I couldn’t remember. Then all the other students were told to turn theirs in. I was aghast to note that theirs was shit compared to what I’d done.

“Morris,” he begins, as the students stack up their shit in front of him, “Mister Morris. Lissen to me. One month has already passed in this class, and your grades right now are so bad, I don’t even know why you are even bothering to hang around. I doubt very seriously if you can accumulate enough A’s to pass this course with a ‘D’. Maybe, if you would stop clowning around, get serious, an’ show me work comparable to what I’ve seen you do, then, maybe, we’ll see about you getting passing grades. I want to see you in this class. I am NOT going to let you slide, mister—”

“I did my work just like anyone else in here, I don’t know why YOU’RE pissed, unless you personally dislike the damn thing. Or,” I said, jerking my brow up at him, “maybe it’s something else.”

“Oh? Like—”

“I don’t know,” I snorted, “I just think you have a problem with me being in your class. But that’s tough. I gotta right to take this class like anyone else.”

“You know, you really didn’t have to come to class, you coulda stayed home—”

“But I chose to! What the hell’s the matter with that, anyway?”

“Nate, you listen, and listen hard. Do you REALLY want to learn something from us, or do you just want to disturb us again?”

“Disturb—?”

“Yes! Disturb. You disturb this class by coming in late, that’s disturbing as hell, Nate.”

“I wasn’t late this time.”

“Listen, man. Don’t you even care if you graduate or not? What’s the reason for all the clowning around? The bad assignments? What?”

“I’ve been doing my very best,” I insisted.

“I asked you a question,” he shot back—“What is the reason for it?”

“But you come in late, and others do, too! Why single me out?”

“Me?” Spade spat, pointing arrogantly to himself, eyebrows raised, half-smiling. “What about me? I’m not talking about ME, Mister Nate. I’M talking about YOU.  What is it now? Too much fun? Alcohol? Drugs?….Sex? Don’t tell me….it’s the sex, isn’t it?”

I try to keep from hurling something into his face—a bottle on the floor, a thick piece of wood, a stray tire-iron, a balled-up piece of paper. I feel his hatred building up in my bones like poisonous phosphates. The guy starts getting red underneath his ebony tint; my stomach tightens. Every week it’s the same old dreary shit. Spade glares at me one more time and then snarls “get out”. Just like that. “Mister Nathaniel Morris,” he says, “please leave this classroom immediately, and come see me after class.”

“I didn’t do anything,” I protested.

“Now,” he snapped.

Joe and Jacky Cooke appear just as I’m making it out the gate, past the entrance where the cars come in. Two of my “good friends,” whom I’ve known for about a year. One of them trim and smartly casual, the other a big, fat, tall behemoth dressed in shabby T-shirt and jeans. Of course, Jacky is the monster, the toughie, who was so hurt by Coon State’s rejection of him that he went mad, grabbed his soprano sax—and bopped his music instructor in the head with it. Joe, on the other hand, is just a nice guy who amuses himself observing my social gaucherie. Remember him? He was the schmuck I encountered a couple years ago when I was living in Adams-Morgan. Along with him comes Carl Lomax, bemoaning his own plight at C.S.U. and pathetic as usual. Joe calls out to me while I’m down on Georgia Avenue, and, as is the custom, I snub Carl and face Joe. Carl angrily walks away.

I’m sorry, but that’s just the way things are. I have a bad enough reputation as it is without Carl buzzing around me like a fruit-fly.

“Hey, Nate,” Joe says, once he approaches, “Where you headed?”

“Nowhere special,” I say, still angry, still hearing Spade’s sneers in my head. “I guess I’ll go to a museum or something.”

Jacky frowned. “A museum?” He raised his brows. “Oh, I get it! Wanna talk to somea those artsy-fartsy honeys up in there, huh?”

“It wasn’t even on my mind,” I said. And that was no lie. “Actually, I got hooked up with this one girl in class, she’s pretty hot.”

“I don’t believe that shit,” Jacky shot. “Really?” Joe added, right about the same time. “Joe, man, he’s just sayin’ that shit to impress his friends! Ar-hargh-har-ar! You can’t talk to these snotty-ass hoes up here, ‘cause all they want is either some fuckin’ pimp or a white dude—either which, they certainly don’t want you, Nate!”

“That’s not true, I knew this girl from Numidia, from way back,” I explained. “Her name’s Maya Arschloch.”

“That’s a helluva name,” Jacky said, “sounds like German for asshole! Nate, you sure she’s okay? ‘Cause I’m tellin’ you, I’ve been up here before all y’all. I was in this motherfucker twelve years ago. Back inna goddamn seventies! Man, that was nothing but total sell-out time! Every motherfucker wanted to be a goddamn pimp, a fuckin’ hustler—I mean, it was fucked up! The decade before they were all into that ‘black is beautiful’ shit—then, they just freaked out!”

“Tell me about it,” I snorted, “look what became of them.”

My words were complimented by the sudden appearance of three happy, merry, huckle-bucking students, dressed in loud “COON STATE” T-shirts and cut-off jeans and gold chains, yelling and screaming like lunatics; following right behind them were a group of enormous negroes with their hair shaved to the shape of Greek lettering, making funny noises right out of Monty Python, their feet ensconced in Adidas sneakers, running two and fro from the gateway entrance to the steps of the School of Business in repetitious patterns only seen in the mentally autistic. “Oh, shit,” I snorted, “the goddamn Greeks.”

The three of us continued down Georgia Avenue, until we passed the rows of rotting brownstones and store-front churches, the beer joints and crumbling sidewalks, the stripped-down cars, the post offices and cathedrals with grilled windows….We popped up in Chinatown, still talking. Chinatown looked more or less the same—the main difference being the lettering was Chinese, and that the windows didn’t have grills in them. Right around the corner from us—we were on H Street—I saw this obscenely bloated figure in pink tights and a black T-shirt pushing a baby carriage; I was aghast to see that the bloated thing had the face of Rhonda Randolph. Even more outrageous was the fact that it was smiling! “Damn, that’s a goddamn gorilla right there,” Jacky huffed, with a chuckle…. “That bitch is so fat, she can’t even make it through the fuckin’ door.” He squints his eyes at her face. He sees what Joe sees, what I saw before any of them. They turn and look at me. “Oh, my Lord,” exclaimed Joe…. “Nate??”

“What?” Jacky cracked, his mouth widening into a shitty grin. I bit my lip. “Yes, I know, I know.”

“It’s your girlfriend!” Joe giggled, and then broke out laughing. Jacky wasn’t laughing, however; his eyes said something else. “Hell, I’d fuck her,” he admits, shrugging. Joe laughs even harder, though the shit is really directed at me, as he makes clear when he leans on me when I got my back turned, trying to make sure Orca doesn’t see. “Yeah! I mean—she may be fat, but it’s the good fat, yo! She’s hugely but evenly distributed! Hell, African dudes like their bitches fat, so I guess I’m more in tune to the Motherland than you niggers are! Ar-har-har-argh!”

“Hell,” I snorted, watching that huge rear-end swish disgustingly away, “she IS a motherland all unto herself.”

“You know, it’s really fucked up, how the sisters at Coon State be doggin’ a nigger, yo,” Joe begins, as we make it onto 9th; thank God Orca goes down the escalator of the Gallery Place metro. “I mean….there’s this one bitch I heard about, right. She’s up there now. She’s such a freak. I mean, she’s such a big freak, Vanessa del Rio don’t have nothin’ on her, okay? Light-skinned bitch. She’s got this answering machine, an’ all these niggers kept callin’ her ass up, one after the other. ‘Cause she had this message on it where the girl was actually rubbin’ the phone up against her pussy an’ sayin’ some wild shit, lickin’ the phone an’ stuff. She looks almost white.”

“Oh, yeah,” Jacky says, cutting his eye at me jocosely, “I remember. I think I recall. Melvin told me about that bitch when she used to work overseas! She got those long, sexy dancers’ legs, like a, a ice skater. Yeah, she’s fine! Got that luscious skin, that svelte ass….”

“She’s the one Luc’s in love with,” Joe says, cutting his eye at me. “The stupid-ass fool!” Jacky replies. “She’s like the fuckin’ mirage you see inna desert. That’s all she is! A goddamn flirt! You think you gonna get something but you don’t get shit from her! Goddamn dickteasin’ bitch! She be whippin’ her long dark hair around, flashin’ them sexy cat eyes—she ain’t nothin’ but dirt. She ain’t but nineteen an’ she’s already had five abortions, slept with about a thousand niggers, Melvin told me he’s got this film of her with eight guys shootin’ sperm into her mouth, big ol’ fat juicy gobs, too, not that small shit, you know, these ol’ tiny-ass droplets—I mean, BLISSSSSSSHHHHHH!! Shit looked like she got doused with wall-paper paste….Damn!”

“The nastiest, sluttiest, whore-ass high-yellow bitch of the class of 1992,” Joe said, mordantly. And then he turned and faced me, and said: “Does that sound like somebody you know?”

“Well….”

In my silence the void was filled with raucous laughter, with Joe laying it on thick for effects. No big surprise: his whole face seems like it’s been constructed just for that purpose—to laugh in other people’s faces. “An’ to think he’s been to bed with Orca an’ shit—bitch is so goddamn fat that when a nigger fucks her, the motherfucker sinks right in! Takes him a whole week to find his way out that bitches’ pussy!”

“Man, Nate,” Jacky laughed, “I thought you had some good taste in women.”

“She’s my ex-girlfriend,” I snorted, angrily. Then, for some strange reason, Orca reappears, through the Metro’s elevator. Joe and Jacky are in stitches watching her huge thighs wobble around; I move away from them. They follow, sheepishly giggling. “Okay, man, we got you. FORMER girlfriend.”

“I’m serious!” I furiously whispered, in vain. Jacky nods. “Okay, man. Gotcha.”

“I mean, we don’t even know each other anymore,” I continued.

“Yeah, man, we get the point already!” Joe snorted, still laughing. “Former girlfriend. FORMER GIRLFRIEND. Shit, that’s what they all say.”

They are still laughing when we enter the clothing store further down on 11th Street, North West. I didn’t care to go in to the goddamn place, since I usually picked up something cheap at a flea market. And I know that THIS IS A STICK UP! doesn’t have the kinds of things that I like to wear; their stuff is too hip, too self-conscious. “Look around, man,” Joe says, once we’re into the men’s section, the sounds of Public Enemy pounding over the intercom. “All this,” I snorted, “just to lay these stupid cunts on campus. They won’t give a shit! I’ve been through this whole thing before!”

“Nate,” Joe says, as I pick up a black long-sleeved shirt with red poker-dots, “you may be a veteran of a nasty war, but there are other wars to be fought. Keep your head up, you ain’t goin’ nowhere.”

Joe moves away from me, over towards Jacky, who’s checking out a new pair of Elleese tennis shoes. Yesterday it was Fila; the day before that Gucci; the day after tomorrow it will be Timberlands….and these silly names will be the only reasons why guys like us will die in these streets.  Nearby, two beefy security officers, one a fat black woman, the other a jaunty-looking white guy with a mustache, are watching me discreetly but carefully; a sales representative, dressed smartly and casually in jeans and olive sport coat, Asian with unusually round eyes and slick, trimmed, oily hair, a face full of acne and thick, pink lips, a white name tag reading “DOUG” stuck on his coat, starts hovering over me when I’m looking at a double-breasted suit. The sales rep says, “Need any help?”

“No,” I say, “I’m just fine.”

I put the suit back down on the rack, and then pick up another one, a single-breasted jacket with one button only. “No, that’s not you,” says “Doug” the retailer, who pulls out something strange— “this is. Yeah.”

He holds it up to me as I face the mirror. The thing is triple-breasted, with buttons running up and down the bright blue fabric like black cockroaches. “Now, that’s bumpin’, that’s cool. You a Coon State student?”

“Yeah,” I said.

“I figured you were,” he said.

I go into the fitting room and try it on. The pants are too tight, and they haven’t even been cuffed. The shoes are too stiff, too shiny, like they’ve been made out of plastic; besides, I don’t like the combination of red and black. And the jacket is a four button-holed monstrosity. Only a lunatic would pay three hundred and forty dollars for this trash. Of course, I don’t say that to “Doug’s” face when I give it back to him, and simply take the black poker-dotted shirt for twenty dollars.

Joe and Jacky are in the women’s section talking to a coed from Howard University. I am just leaving the cash register, ready to walk out the door when “GREG”, the other sales rep, black and medium-complected, narrow-featured and Latin-looking, calls out, while striding towards me:  “Oh, sir?”

“Yeah?”

“Could you mind putting that shirt back where you found it?”

“You mean this? I just bought it,” I said.

“No,” he says, grinning forcibly, suddenly tugging on the one I’m wearing. “I mean this. Please take that off right this instant and give it back to us.” Very strange how he has suddenly become so rude.

“Oh, no, this is my shirt,” I say, watching his face—it isn’t moved once. “I’ve had this shirt for a year.”

The security’s ears are pricked up: the fat black female one wobbles over, eyes popping, fingers itchy to pull out that pistol she’s got in her black leather holster. “Don’t start that shit with us,” I hear her snarl. I froze: my mind rambled back to Pointe-Blanche, to Adjrar, to Camp Jejune, to Freedom College, and all the past humiliations I had ever suffered at the hands of authority figures.  “Take it off.”

“But this shirt is mine!” I exclaimed, and then wheeled to Jacky and Joe, who were still in the women’s section, still talking to the Howard U. coed. I tried to wave them over—but, lo and behold, I found them acting like they didn’t know me. Neither one of them said a goddamn word when I asked them had they seen me with my shirt on. The female security officer tugged on the sleeve of my shirt…. “I’m sorry, boy,” she barked, while the other one came closer, chewing gum, eyes set dead on me, “but you gon’ have to show a receipt if you claim that shirt’s yours!”

“I bought it a year ago,” I said, my breathing starting to speed up apace. “Why would I have it? Those guys over there, they’re my friends, they saw me with this shirt….”

All along, the burly white guy with the moustache kept nodding, chewing, nodding, nodding, chewing, chewing, and then going, “uh, huh, uh-huh, uh-huh, sure it is. Sure, pal. We believe you.”

“Take off that goddamn shirt, nigger!” the fat black bitch rasped.

I started arguing with them, thinking, this is the last straw, I’m not going to take this crap. But everyone else in the store, save for the personnel, was indifferent, even though I observed the cashiers laughing and joking with some customers about the absurd scene. Then the big white guy seizes me roughly by the arm. “C’mon, c’mon, let’s go, kid,” he snorts, hurtling me through the doorway of the room reserved for “employees only”.

C’mon, Nate, I thought, wake up. Stop dreaming, you can’t fight the world all your life. Give them the shirt, and walk out of the building, back to campus, back to school, and get your degree. Maybe they will let you off easy. You know they are right after all—even if they are wrong. What are you going to do about it, motherfucker?

The door closes on a room filled with unopened boxes, scattered tables full of invoice papers, trash cans filled with discarded Dixie cups and soda cans and potato chip bags and empty boxes of Kentucky Fried Chicken, a water cooler, a soda machine, and two bright, dangling bare bulbs. They say, after they lock the door, “Take your pants down.” I refused to take them down. So the two guards held me as “Doug” reached for my pants. I smashed my knee up in his face and the two guards wrestled me to the ground; I punched the honky in his face with my left but the black bitch quickly pointed her gun between my eyes. Then “Doug” ripped my pants off, zipper and all. “Greg” filched out my wallet; the honky took the wallet, went directly for the ID’s, pulling each and every card out, VISA, Master Card, etc., etc. “Is your name Nathan James Morris, or is this some shit you made up?” he spits. “Yes,” I say, “it’s my real name.” “Well, is it!?!” “YES,” I shot back, observing “Greg” put on rubber gloves, and “Doug” filching my remaining cash out of my wallet and sniggering. “Fuckin’ sonofabitch,” “Greg” giggles, while he sticks his hand up my ass and starts probing around in my asshole for what he thinks he can find….Unfortunately, by the time the cops come, it’s all over, the damage has been done, my pants have been buttoned back up. Five police officers stream in through the door and, without a word, point their finger outside, towards the waiting patrol car. I stroll through the doorframe feeling one of the security officers kicking my sore ass. Joe and Jacky have long since left. People stop and stare at me; the old Korean owner of a nearby hat shop puts down his broom and, his wife coming out, starts pointing, jabbering stuff in Korean; both their slit eyes carefully follow my clumsy steps from the STICK UP!’s doorway to the patrol car. The mastiff in back of me keeps barking down my ear, giving me a head-splitting headache by the time we get to the precinct station.

The precinct is an olive-green walled hell-hole alive with the endless ringing of greasy telephones, the ruffling of papers, and swarms of dick-headed cops of every race(though mostly black men)and their equally repulsive victims: hookers, drunks, armed robbers, gang-bangers, pushers, etc. By now, after a year in this goddamn city, it comes as no surprise to me that nearly all of them are young black men. The man behind the desk, a patrician-looking fatherly guy with gray speckling his neatly combed kinky hair, keeps asking me a whole bunch of insulting questions, one after the other. My only line of defense, unfortunately, is to tell the truth. “Uh, huh,” he merely snaps, after everything I tell him. I give him Joe Washington and Jacky Cooke as witnesses, provide their phone numbers and campus addresses—all of which comes in the end to nothing. They take me into the booking room for “attempted petty theft”. They flung a sign around my neck, snapped some horrible pictures of me, had me roughly fingerprinted, then led down dark, stale corridors to—the Drunk Tank.

Why the hell were they arresting me for public drunkenness?

I go inside the place, and there are about fifteen mothers in there, all black, and all male. Eight of them are huge brutes, eyeing me very, very carefully as I’m shoved inside. The other six are non-descript-looking, dirty fellows clad in dirty jeans, torn overcoats, soiled pants, some wearing only underwear; one guy masturbates in a lone corner while talking loudly to himself. The whole place smells of piss and rotten blood. The fifteenth guy stood out above all, because he was dressed in drag. He had on a shiny black wig with black fishnet stockings, red plastic earrings, a tight pink mini-skirt obviously padded around the hips, breasts and ass to give him the semblance of woman ness. Had not this figure stunk so bad of alcohol and unwashed ass, I would have never guessed—though the prickle of beard should have told me so. And, above all, the eyes: they were too green, with that coldness that one sees only in snakes.

“Hey, man,” he says, when he sees me, “what’s happening? Whad’chu do to get in here?”

After my shock wore off, I only said, “whatever it was, it certainly wasn’t what YOU were doing!”

“Man, it was just a ruse,” Guy insisted, stumbling around drunkenly, “it’s not like I was selling myself.” He then began a spiel about how he worked with some other guy in a fake prostitution scheme: Guy, dressed up like a woman, would lure suckers into a trap in a dark alley, pull open their pants, go through the motions….when the other guy, unbeknownst to the sucker, would bash him in the head. It sounded very believable, but I couldn’t be so sure after noting that the front of Guy’s dress was encrusted with flecks of what looked like dried wallpaper paste. Myself, I said nothing, wanting to believe it was all a bad dream.

“You got twenty dollars, man?”

“No, I—the security officers took my money,” I stuttered.

“Where was this at?”

“THIS IS A STICK UP!, you know, that place,” I said. Guy laughed. “Man, I don’t believe that shit,” he snorted.

Hell, I thought, I don’t believe you, either. What the hell happened to all your money?

Late that night I managed to place a call directly to my dormitory at Hillcrest Heights. But it was four days before Lucius followed up on his promise to get me out. Guy, on the other hand, stayed behind. I watched the look of despair on his face as I left the Drunk Tank, thinking to myself, it’s the fitting end for a stinker.