The Caucasian Kakistocracy, Revisited

PART TWO OF TWO

In the months since I posted Part One of this article, a long string of infuriating race-related incidents have occurred–all of which merely reinforce everything that I’ve written about this so-called “Caucasian Aristocracy.”

Less than 24 hours ago the New York Supreme Court dropped one of six charges against super-predator Hollywood mogul Harvey Weinstein. While not ostensibly race-related, Weinstein’s acquittal on just this one charge speaks volumes in itself. It comes directly on the heels of the confirmation and beatification of Brett Kavanaugh (misogynist, ex-frat boy and hard rightist, to whom David Duke gushed, “Thank God you are now on the Supreme Court!”), the revelations that Trump helped his parents evade millions of taxes (not to mention his own sex scandals with Stormy Daniels and other shady ladies), and the rehiring of Timothy Loehmann–the cop who killed 12-year old Tamir Rice in 2014–in Bellaire, Ohio. Georgia lawmaker Jason Spencer (no relation to Richard, though one would think otherwise) literally shows his fat white ass to the world on Sacha Baron Cohen’s This is America (indeed!), screaming “nigger!” at the top of his lungs, making “ching-chong” noises and sucking on a dildo. Jason Spencer was elected to the Georgia House of Representatives in 2010 on the Republican ticket; his fat ass is still there, probably still shouting “nigger” and still pulling his eyes back in the presence of Asians. (At least in private.)

And in the meantime, Bill Cosby is serving three to ten years in prison. This is not to gloss over Cosby showing his own ass decades ago, when he hypocritically dismissed Huey Newton as “nothing more than a thug” and a “hoodlum”; when he made a name for himself playing a spy on TV (at the height of the Black Power movement), and later went on to become “America’s Dad” while privately dropping Quaaludes in ugly women’s drinks and lecturing the most exploited class of people in America–the black underclass–about not speaking English, not pulling up their pants and getting shot over ninety-cent slices of stale pound cake.

Bill Cosby’s actions perfectly personified the uselessness and moral bankruptcy of America’s Black Elite. He sat on a fortune close to a billion dollars while millions of blacks nationwide had to steal to pay their rent, or even get their next meal. So it’s not a matter of shedding tears for Billy-Boy being locked up. That’s not the point. The point is that Billy-Boy, far wealthier than Harvey Weinstein could ever hope to be, is sitting in a jail cell while Harvey, Roy Moore, Donald Trump, Tim Loehmann, Roman Polanski and above all that little turd George Zimmerman are not. That’s because Billy-Boy’s billion doesn’t add up to much when his skin ain’t white.

Further down the food chain, the outlook for those outside the Aristocracy looks far bleaker. The Aristocracy feels (perhaps rightly so) that it is under assault from the dirty, unwashed, unwhite masses of the world (especially the black ones), so it is pushing back against them post-Reconstruction style. This Kakistocracy loves playing victim even with an assault rifle in its hands. Down on the very bottom of the American totem pole, the Afro-American has become a veritable moving target. The days of the African Dodger are back; only this time, they don’t need to put your head in a canvas and throw rocks at your head; they simply call the cops. Nekia Jones of Columbus, Ohio, for instance, has been locked up for nonpayment of child support–Ms. Jones is childless. Delta Airlines, a cracker concern, has shown its collective ass again in several appalling incidents (generally involving black women), one resulting in a passenger’s baggage being damaged in flight by incompetent baggage-handlers. (The passenger had the police called on her by a fascist staff member on the lower rung of the Kakistocratic food chain. The fascist’s excuse–like the one used by the soft Gestapo in Berlin at KFC–was that the unnamed woman was filming her.) A day ago, yet another Southern (Georgia) white woman calls the police on a black man babysitting his white friends’ children; Pool Patty, Permit Patty, Permit BettyBarbecue Becky, and their male equivalent “Permit Model”–some sexually insecure schmuck who couldn’t bear to see a black model in a photo shoot–have sent a collective message to those on the bottom of the global racial hierarchy: anything you do–even if it is so much as reading a fucking book–is a threat to our well-being.

No–scratch that. To the white Kakistocrat, merely being alive as a black (or brown or red) person is a threat to one’s well-being.

jennifer-schulte-bbq-becky
Jennifer Schulte, aka Barbecue Becky: Patriarch with a Pussy

It’s noteworthy that the overwhelming majority of racist calls have come from white women. No one should be surprised that this is so. These same poor white women, who wrung their hands and howled like banshees over the “sexual misconduct” of Harvey, Billy-Boy, Al Franken, Bill O’Riley, Sean Hannity, Donald Trump, Kevin Spacey and other men have never been opposed to The Patriarchy (or The Capitalist Kakistocracy, which is what it really is) except in theory. In practice, we clearly see that their hijacking of #MeToo (from a black woman dog-whistling at the Kakistocracy in the vain hope that their system would round up black male perverts) was, and still is, a clumsy power-grab on their part. Grabbing for what? The desks, round-tables, and cushy positions of the same “Patriarchy” they pretended to despise. They don’t hate the male chauvinist white Aristocracy; they simply want to run it for themselves. They are the female equivalent of those slimy, ethically bankrupt Third World elites who moved into the same comfy positions of power left behind by the British, French and Spanish after the colonizers left Africa.

Nawal el Saadawi, Egyptian novelist and activist, was perfectly on point when she described Theresa May and Hillary Clinton as being “even more patriarchal than men.” She forgot about Angela Merkel but then again, one gets the point. At the rate everything is going politically in the world today the Kakistocracy will continue for the foreseeable future. Not because this disgusting class is impregnable, but because this class finds it so easy to dangle 95% of humanity on puppet strings. No one outside the Kakistocracy is even thinking of resisting the bullshit. White women, negresses such as Candace Owens, Michelle Malkin and Jannine Piro (a sand Negress), reactionary boy-toys like Paris Dennard and Milo Yiannopoulous and super-spades like Kanye West, David Clarke and Jesse Lee Peterson will be our future gauleiters–reactionary buffoons whose main job is to vainly patch up the cracks in a rapidly disintegrating Western civilization.

Down the Totem Pole

The further you go down the American totem pole the darker people get, the vaguer their faces become, until they are all one dark mass on the very bottom. That dark mass supports the weight of the kakistocracy; it functions as a kind of cornerstone-slash-slop jar. We can be cute and call it “Da Hood” but everyone in the society (including other blacks) understand it to be That Other Place–Niggertown†.

Whatever it is, it is not America–not really. Not as the White Aristocrat defines America. I completely reject everything the White Aristocrat defines as America or as American, but that’s not the point. The point is that in his eyes, and in the eyes of everyone who sees the world through his eyes, Niggertown is America’s toilet. Niggertown represents (to him) a negation of all great Western values and morals–even though Niggertown is entirely the creation of white Western culture.

Ironic, yes. This Niggertown, this Black Slopjar is “dirty,” “evil,” “smelly,” “ape-infested,” but at the same time “we,” the White Aristocracy, desperately need this Black Slopjar. In a moral sense, we need “Niggertown” in order to define ourselves in opposition to it; without it, our existence (as White Aristocrats) makes no sense. It’s true that (in our minds) the high moral standards that “we whites” think we are setting for ourselves don’t apply there since Niggertown is (supposedly) the absolute moral opposite of “America.” But that is part of the fun. The society we have constructed for ourselves is simply too “white”; there’s no “passion” in it, no color, no adventure, no sensuality. So what do we do if we can’t go to Thailand? Go to Niggertown. Da Hood is not only America’s Inferno, it’s also America’s whorehouse, the place where “we” go slumming and let down our hair. It’s the place where “we” buy our drugs, our pussy, the joint where we indulge our sense of white privilege to the hilt since in Niggertown, we can’t be held accountable for what we do since we are never really guilty: only the “Niggers” are truly guilty.

Please note that Niggertown is as much a state of mind as it is a place. So if you are too afraid to go to West Baltimore in the flesh, you can blast Tupac or Drake from your car stereo and sag your fucking pants or even slap on blackface if you so wish. You can host a Mandingo party or pick up random “Niggers” in clubs and suck them off (or have them suck you off) in the toilet. What happens in Niggertown stays in Niggertown.

In this regard, talk of “Black Irresponsibility” is not only foolish and idle, but obscene.¹We all know that before “White” there was no “Black,” that the creation of “Negroes” or “Niggers” or “Blacks” required not merely the creation of White but the conditions under which white would flourish and “Black” would languish. As a side note, it’s worth noting that the Brazilian term for “Big Nigger,” negao, also means “negative” in Portuguese. I can’t tell you if that was a deliberate choice of wording but it is obvious that Black “irresponsibility” is but a negative reflection, an “Afro-pantomime” of the White Kakistocracy. All values within that system have their origins with the founders of that system; those in “Da Hood” may make some adjustments to those values in order to adapt those values to their own needs, but in essence they are the same.

A rotten, despicable, worthless society predicated entirely upon the notion that having white skin (and being rich) makes you a blameless saint in the eyes of most, whilst being the opposite makes you the devil. A black man’s worth increases in this society only if he comes closer to what white society deems its ideal…and yet, if this same black man were to truly become “white male” in every sense of the ideal save for his complexion, he would be tossed in jail.

Black women with braids and Afro-styled hair are weird or outre whereas a white woman who thoughtlessly appropriates these same styles (and wrongly, I might add) is “stylish” and “cutting edge.” We routinely see how white women appropriate, use and rip-off black, brown, red and yellow women, and use them as the battering rams to force their way to the top of the American food chain. #MeToo, the anti-Gun march: all sentimental, idiotic pie-eyed displays of the worst American puritan knee-jerk hysteria surrounding sex.

Every white woman who imagines she was felt up by Woody Allen or Woody Woodpecker or Mickey Mouse comes out with some wretched story about how she was abused, and the whole world stands up to applaud it. And when the Native American woman details how she and her sisters were raped or murdered at the hands of the American police or other men (including their own), one hears crickets. Thousands of black women have disappeared in the DC area alone over the past 10 years, and not a single soul has bothered to come forward to ask of their whereabouts. African women are routinely trafficked into sex slavery in Europe, along with Balkan, Romanian and South-East Asian women. Sri Lankan, Filipino and Ethiopian women are routinely raped, beaten and worked to death by Gulf Arab or Lebanese employers. (Many of these employers are other females.) Just recently a Kenyan woman was beaten senseless in the streets of Beirut by two Lebanese hoodlums. There is no fucking hashtag movement to highlight the plight of these particular women, and if there is it definitely gets set on the back-burner behind the outrage over Bill Cosby, Harvey Weinstein or Al Franken’s cute hijinks.

This is not merely because Thai prostitutes or Ethiopian maids are not “beautiful people” like Lady Gaga or Kylie Jenner or some other played up megastar, but because they are not white.

Their whiteness also blinds them to their own historical demise. In every sense of the word Western culture is nonexistent outside of the Louvre or some National Gallery of Art. Contemporary Western architecture–and this goes for everything being constructed elsewhere in the world–is hideous. Enormous glass cages which stretch for miles and miles around, filled with mindless drones parked behind cubicles or stuck in some hideous plastic condo. In the Italian Renaissance, a major building was generally conceived as a thing of beauty, nobility and grandeur. Today, everything–the architecture included–has an expiration date. Today no architect anywhere in the world (since they are all blindly following the White lead) would even dream of constructing a Sistine Chapel or an Alhambra or a Taj Mahal or a Machu Picchu or anything comparable to the splendors of Luxor or Karnak or Kilwa.

Why? Because White Supremacy–the ideology of the Cacistocracy–is strictly utilitarian, one that only function in opposition to whatever it deems threatening–even if that thing is Beauty itself.

Even their contemporary music is ugly. No more Beethovens, Mahlers or Janaceks can be found among them, unless they are hiding away in some attic in Lisbon or Lviv. Their “white” novels are solipsistic, pretentious masturbation. Academia, especially in the United States, is falling by the wayside. National infrastructures are crumbling, and not merely because everything is put into the American war machine. America’s infrastructures crumble because those responsible for maintaining these infrastructures are far more interested in laying about in Mar-a-lago or some God-forsaken Caribbean island stuffing adolescent girls or boys and basking in–what else?–their insufferable sense of being (once again) white.²

“Five centuries of colonialism, capitalism and nationalism have turned Europeans into the enemy of the human kind,” Franco Berardi fumed last year, in response to reports of mass migrant deaths in the Mediterranean, slave-dealing in Libya and the surge of moronic, right-wing Western populism. “May they (Europeans) be cursed forever! May Europeans be swept away by the storm they have generated, by the weapons they are building, by the fire they have ignited, by the hatred they have cultivated!”

Bifo Berardi’s words ignited, as they say, a “storm of controversy”; some folks considered him a bit mad. But when one sees Europeans–and by extension, white Westerners and their perennial flunkies–within the context of a decaying, bloated, self-satisfied Kakistocracy, then his words make perfect sense. There can be no democracy, let alone Socialism, in a planet dominated by racist white aristocrats and their colored court jesters. 

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†Niggertown wasn’t created by “Niggers” but by systematic “red-lining” (translated into English, it means setting up special residential areas for “Niggers” so whites can control their movements, their wallets, their culture, their minds, etc. In other words, a fucking township, or a reservation). There was also mental redlining. American music was once redlined on record labels (known as “race records” or “Sepia Series”). The African American was and is redlined in novels, plays, newspaper articles, and movies: restricted to being portrayed as an idiot, a whore, a mammy, a suck-up, a shiftless ne’er-do-well, a criminal, a thug, a “problem”; playing out the same tired, hackneyed roles that the Euro-American crafted for him, roles that revealed nothing of the Black actor’s true personality but merely those buried instincts (what Freud called the ID) that the good white aristocrat could not act out in polite white society. Hence, the minstrel show, Al Jolson, Elvis Presley, Satchmo (as opposed to Louis Armstrong), Stepinfetchit, Drake, Eminem and all the rest. Hence “Ebonics,” which is what white society has made of Black English–a language that Afro-Americans constructed in order to define the world on their terms and not that of the white aristocrats.

¹”Everything is ‘white genocide’ because they can only operate without challenges. Unless the deck is stacked against everyone else they literally cannot keep up with the other ethnic groups, ESPECIALLY not against blacks. While every other group was building civilizations, kingdoms, and empires white people literally were in caves. That is a scientific fact. This went on for several thousand years. Hell even the Mesoamericans had the Mayan empire before whites created their first settlement. There is no such thing as ‘white supremacy’, they aren’t supreme. If they were they could win at equal footing and history shows THEY. NEVER. HAVE. AND. NEVER. WILL. There is only white psychosis and white tyranny and they’re starting to see their failings and so the ‘white genocide’ excuse surfaced again, which they used several times through human history.” —

comment from “HaveYouEverDancedWithTheDevilInThePaleMoonLight”

²And what’s the whole point of the war machine, anyway? For the ultimate showdown between Western Whiteness and the Third World (namely, the Middle East, Latin America, Asia, Africa and perhaps Russia, if only because Russia and China are the two major stumbling blocks between Uncle Sam and absolute global hegemony).

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